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A final Parisian art gallery post – can’t end the series without some works from the Louvre

Sunday, August 6th, 2017

A brief exposé of some of the lesser known works in the Louvre art gallery.

These were all shot with the Olympus OM-D E-M1 II Micro Four Thirds camera with the Olympus mZD 40-150mm f/2.8 pro lens.

A touch of my own styling to some of the beautiful marble sculptures:

Louvre

Pierre Paul Rubens Portrait d’Helene Fourment 1636:

Louvre

Pierre Paul Rubens Clélie passant le Tibre (Cloelia crossing the Tiber) 1635:

Louvre

Antoon van Dyck Les Amours de Renaud et de l’enchanteresse Armide (The loves of Rinaldo and the enchantress Armida) 1641:

Louvre

Jacob Jordaens Le roi boit (The king drinks) 1638-40:

Louvre

My take on the Restoration of Melpomene Muse de la tragedie in marble 1st century AD Rome:

Louvre

Leonardo Da Vinci’s Saint Jean-Baptiste 1513-16 – sometimes reflections are impossible to get rid of, and I didn’t bring a polarising filter to help – my bad:

Louvre

Alessandro Filipepi dit Botticelli Un jeune homme presente par Venus 1483-85:

Louvre

Alessandro Filipepi dit Botticelli Venus et Le Trois Graces offrant des presents a une jeune fille (Venus and The Three Graces) 1483-85:

Louvre

My take on the Winged goddess of Victory of Samothrace 3rd-1st century BC Greece:

Louvre

Anne-Louis Girodet de Roussy-Trioson Pygmalion et Galatee 1824:

Louvre

Anne-Louis Girodet de Roussy-Trioson Atala au tombeau 1808:

Louvre

Louise David Les Sabines 1799:

Louvre

Louise David Les Amours de Paris et d’Helene 1788:

Louvre

Pierre Peyron La mort d’Alceste 1785:

Louvre

Anselm Kiefer Athanor 2007:

Louvre

Perhaps it is that we can’t appreciate life without seeing death, and perhaps we all too often take for granted the wonderful aspects of culture that history has betrothed upon us even though their permanence is not guaranteed in our violent world. Live in the presence and appreciate what we have, protect our past and look to a future enhanced by us being here – not a future of despair and destruction as has been the case so often in our past.

The beautiful Musee D’Orsay – a must see art gallery in Paris – part III

Saturday, August 5th, 2017

Part III of my little exposé of the wonderful Musee D’Orsay art gallery.

Let’s go onto some more of my favorite artworks – the gallery boasts an incredible range of beautiful nudes which I will limit here to hopefully ensure viewing is not an issue in workplaces although there is a bold male nude as an allegory to war at the end of this post!

These were all shot with the Olympus OM-D E-M1 II Micro Four Thirds camera with the Olympus mZD 40-150mm f/2.8 pro lens.

A touch of my own styling to some of the beautiful marble sculptures:

D'Orsay

Denys Puech Aurore 1900:

D'Orsay

D'Orsay

Georges de Feure Panneau d’Elegante 1901-1903:

D'Orsay

Eduoard Vuillard Le Doctor Georges Viau dans son cabinet dentaire 1914:

D'Orsay

Pierre Bonnard La Loge 1908:

D'Orsay

Pierre Bonnard Le chapelle du chateau de Versailles 1917:

D'Orsay

Aristide Maillol La femme a l’ombrelle 1895:

D'Orsay

Felix Valloton Madame Alexandre Bernheim 1902:

D'Orsay

Felix Valloton Baigneuse Rose 1893:

D'Orsay

Georges Seurat Poseuse de profil 1887:

D'Orsay

Charles Angrand Couple dans la rue 1887:

D'Orsay

Paul Signac Femme a l’ombrelle 1893:

D'Orsay

Paul Signac Femmes au puits 1892:

D'Orsay

Paul Signac Entre du port de la Rochelle 1921:

D'Orsay

The beautiful Musee D’Orsay – a must see art gallery in Paris – part II

Wednesday, July 26th, 2017

Part II of my little exposé of the wonderful Musee D’Orsay art gallery.

Let’s go onto some more of my favorite artworks – the gallery boasts an incredible range of beautiful nudes which I will limit here to hopefully ensure viewing is not an issue in workplaces although there is a bold male nude as an allegory to war at the end of this post!

These were all shot with the Olympus OM-D E-M1 II Micro Four Thirds camera with the Olympus mZD 40-150mm f/2.8 pro lens.

Vincent van Gogh La Nuit étoilée (Starry night) 1888:

D'Orsay

Eugene Jansson Gryning over Ridderfjarden 1899:

D'Orsay

Edgar Degas Répétition d’un ballet sur la scène 1874, well we all know how much Degas loved painting and sculpting the ballet dancers, and he has left us all with his beautiful legacy of works such as this one:

D'Orsay

Edouard Manet La Dame aux éventails 1873:

D'Orsay

Pierre Auguste Renoir Danse à la ville 1883. one of my favorite painters who showed you don’t need the anatomic proportions to always be correct to have an aesthetic image (a yes, he often gets a bit of flack for this), and furthermore was brave enough to put blues and greens together without anything between in the majority of his works.

D'Orsay

Paul Cezanne Les Jouers de cartes 1890-95:

D'Orsay

Edgar Degas Danseuses bleues 1893:

D'Orsay

Claude Monet Femme à l’ombrelle tournée vers la gauche 1886:

D'Orsay

Edouard Manet Sur la plage 1873:

D'Orsay

Pierre Auguste Renoir La Liseuse 1874-76:

D'Orsay

Berthe Morisot Le Berceau 1872:

D'Orsay

Pierre Auguste Renoir Bal du moulin de la Galette 1876:

D'Orsay

Paul Cezanne Louis-Auguste Cezanne – the artist’s father 1866:

D'Orsay

Paul Cezanne Dominique – the artist’s uncle 1866-67:

D'Orsay

Luc Olivier Merson (1846-1920) La Fortune:

D'Orsay

Henri Camille Danger Fléau 1901, an allegory of war and a rather bold recent acquisition by the gallery to expand their late Academic period works – turn away now if you cannot cope with a full frontal male nude:

D'Orsay

Just Becquet L’Abîme marble 1901 (This apparently translates as the abyss):

D'Orsay

The beautiful Musee D’Orsay – a must see art gallery in Paris – part I

Tuesday, July 25th, 2017

The Musee D’Orsay has to be one of my favorite art galleries with its art works primarily from the late 19th century and early 20th century, dominated by beautiful sculptures, and paintings from the Romanticism, Pre-Raphaelite, Symbolist and French Impressionism movements to name a few, and set in the wonderfully transformed train station.

It does have a rather strange lack of toilets though, and the only one I found had a long line of ladies queued up and forced to stand outside the open door of the men’s room with full view of the line of urinals – well when in Paris, you just have to not worry about these things – although I suspect it was more awkward for the ladies who are not used to such experiences!

But let’s go onto some of my favorite artworks – although the gallery boasts an incredible range of beautiful nudes which I will limit here to ensure viewing is not an issue in workplaces.

These were all shot with the Olympus OM-D E-M1 II Micro Four Thirds camera with the Olympus mZD 40-150mm f/2.8 pro lens.

I had to adjust the lights a bit for this one :)

D'Orsay

Amaury-Duval Madame de Loynes 1862:

D'Orsay

Ernest Hébert La Lavandera ou Jeune lavandiére songuese 1869:

D'Orsay

Honoré Daumier Crispin et Scapin 1864:

D'Orsay

Maxwell Armfield Faustine 1904:

D'Orsay

Edward Burne-Jones Princess Sabra 1865:

D'Orsay

Ford Madox Brown a pioneer in the Pre-Raphaelite movement – Haydée découvrant le corps de Don Juan 1878:

D'Orsay

Edgard Maxence La Légende bretonne 1906:

D'Orsay

Ferdinand Hodler Madame Valentine Godé-Darel malade 1914:

D'Orsay

Gustave Moreau Orphée 1865 (Moreau continues the myth of Orpheus, with the vision of a girl dressed in Oriental finery rescuing the poet’s head which rests on his lyre, and the girl is gazing at him with a melancholy air. The diagonal compositions suggests a playing card, in which the musicians in the top left corner are balanced by the turtles, lower right, whose carapace, according to the myth, was used to make the first lyre – Moreau counts as a decisive figure in the Symbolist movement):

D'Orsay

Gustave Moreau Hésiode et la Muse 1891:

D'Orsay

Henri de Toulouse-Laetrec Rousse (La Toilette) 1889:

D'Orsay

Henri de Toulouse-Laetrec Femme de profil Madame Lucy 1896:

D'Orsay

Philipe de Laszlo La comtesse Anna de Noailles 1913:

D'Orsay

Pablo Picasso La Buveuse d’absinthe dit aussi Buveuse accoudée 1901:

D'Orsay

Henri de Toulouse-Laetrec Au Nouveau Cirque, Papa Chrysantheme 1894:

D'Orsay

A. Carrier Belleuse 1873:

D'Orsay

Denys Puech Sirene 1889:

D'Orsay

Gustave Courbet L’Atelier du peintre 1855:

D'Orsay

Jean-Francois Millet Femme nue couchée 1844-1845:

D'Orsay

It is indeed a privilege to be able to view these works in reality, and it is not something to be taken for granted with the world going crazy yet again and destruction of culture rampant.

Monet’s water lilies and the Musee D’Orangerie in Paris – some of my favorite artworks from the gallery

Friday, July 21st, 2017

The Musee D’Orangerie is adjacent to the Louvre and is a wonderful art gallery mainly of late 19th century and early 20th century art works, but in particular, Claude Monet’s water lily series.

These were all shot with the Olympus OM-D E-M1 II Micro Four Thirds camera with Olympus mZD 7-14mm f/2.8 pro lens such as the above and below image, and the Olympus mZD 25mm f/1.2 pro lens.

Here are some of Claude Monet’s famous water lily paintings:

Monet

Monet

Monet

Monet

Monet

Despite their dominance in the gallery, there is far more to see such as these:

Claude Monet’s Argenteuile 1875:

D'Orangerie

Pablo Picasso’s Femme au tambourin 1925:

D'Orangerie

Paul Cezanne’s Arbres et maisons 1885-86:

D'Orangerie

Henri Matisse’s Les trois soeurs 1916-17:

D'Orangerie

Marie Laurencin’s Danseuses espagnoles 1920-21:

D'Orangerie

The unmistakable style of Amedeo Modigliani and in this case, Femme au ruban de velours 1915:

D'Orangerie

Maurice Utrillo (1883-1955), who even in his early life was plagued with mental illness, was essentially raised by his grandmother, and was the son of an 18 yr old artist’s model with speculation that his father may have been Renoir or one of the other artists she had modeled for. He was born in Montmartre and like many artists, lived a very bohemian life style. His mental illness was exacerbated by alcoholism and he spent some time in mental asylums.

I am guessing these ladies walking with a painter made Maurice Utrillo’s world go round after the war ended – La Maison Bernot 1924 – the bell tower of the Sacré Coeur basilica which was completed in 1912 was cropped when I took the photo and is not shown:

D'Orangerie

Gustave Moreau’s La Toilette 1885-90:

D'Orangerie

Pablo Picasso’s Saltimbanque aux bras croises 1923:

D'Orangerie

And, for something completely different – Hans Hartung’s T 1963 K7 1963:

D'Orangerie

Berlin’s Bode Museum – sculptures and paintings from 11th to 18th centuries

Wednesday, July 19th, 2017

It seems the Bode Museum is one of the less frequented stops for tourists in Berlin – perhaps because it is hidden down the back part of Museum Island, perhaps because most tourists have had enough of museums by the time they have seen the Pergamon, Neues Museum and Alte Nationalgalerie, or perhaps they have just had enough of religious and mythological artworks which dominated their experiences in Florence.

And yet, I was pleasantly surprised by the museum and it’s grand entrance hall boded well for a nice quiet experience (pardon the pun):

Bode

and yes, I think that was Frederick the Great on his horse again!

These were all shot with the Olympus OM-D E-M1 II Micro Four Thirds camera with Olympus mZD 7-14mm f/2.8 pro lens such as the above and below image, and the Olympus mZD 40-150mm f/2.8 pro lens.

The rear staircase with various statues including a central figure of Frederick The Great:

Bode

Frederick the Great:

Bode

Adam and Eve by Lucas Cranach (1472-1553) 1533, hmm check out the expression on the lion!:

Bode

Mars, Venus and Cupid by Peter Paul Rubens c1636:

Bode

The Prophet Isaiah by Jacob Cornelisz Cobaert 16th C, alabaster:

Bode

The Three Graces in alabaster by Leonhard Kern 1650. In Greek mythology, the Three Graces or Three Charites were usually regarded as being the minor goddesses Aglaea (“Splendor”), Euphrosyne (“Mirth”), and Thalia (“Good Cheer”) although there were other Graces too – we could all do with more mirth and good cheer!

Bode

Adam and Eve by Georg Pfrundt 1650:

Bode

Two Female Figures by Leonhard Kern 1650:

Bode

Boy as Fountain Figure by Andrea della Robbia of Florence 1490:

Bode

You see how early humans learned to light portraits – this one shows a lovely loop lighting (note the loop like shadow beneath the nose) in shortlit style (the face is lit from the rear side so the shadow side is closest to the viewer making the face look narrower) – we still use this flattering studio lighting today in portrait photography! Portrait of a Young Man by Alessandro Allori (1535-1607) of Florence.

Bode

German tribute to the Italian Renaissance which I believe was originally housed in Berlin’s Basilica built in 1904 but destroyed in WWII:

Bode

A Christian altar piece, I felt at times I was in a Get Smart scene with all these doors about to close on me as I approached – but they didn’t.

Bode

St Mary Magdalene by Henrick van Holt c1530:

Bode

St Mary Magdalene by Henrick van Holt c1530:

Bode

Reclining boy in alabaster by Niederlande 17thC:

Bode

From here on it gets a bit more violent with abductions, betrayals, etc:

Delilah cutting Samson’s hair
without consent while he slept and destroying his strength – by Artus Quellinus 1640:

Bode

Rape of Proserpine by Pluto – Adrian de Vries 1621 in bronze. It seems Venus wanted to bring love to Pluto and sent her son Amor (Cupid) to fire one of his arrows at him. Pluto, the god of the underworld, then came out of Mt Etna’s volcano with four black horses and abducted the goddess Proserpina who was having a good time in Sicily staying with some nymph friends. Pluto’s intention was to take her to the Underworld and make her his wife. Her mother, Ceres, the goddess of agriculture got very upset with this and tramped the world looking for her and in her anger stopped the growth of fruits and created the deserts, starting in Sicily. Pluto’s brother, Jupiter, became worried so sent his son Mercury to order Pluto to free Prosperpina, he obeyed but made her eat six pomegranate seeds which forced her to spend 4-6 months of the year living with him – hence when she comes out into the living world in Spring, the flowers bloom, and when she goes back to the Underworld each year, Winter ensues. Seems a fair explanation of the seasons and why there are deserts!

You might be wondering what rape has to do with it – well in ancient times the word rape actually referred to abduction not the sexual violence per se, but I am guessing most suffered sexual violation too.

Bode

The Rape of the Sabine Woman – Adrian de Vries (1556-1626) in bronze.

I guess I better tell you their story as well!

When Rome was founded by Romulus, he had a problem, lots of male followers but few women. You can’t start an empire like that! Thus the first Romans tried unsuccessfully to negotiate with the surrounding tribes (the Sabines) for their women to be wives. The Romans decided to have a festival and invite people from neighbouring towns including the Sabines. Romulus gave the signal and the Sabine women were abducted and their menfolk fought off and the women were made to marry the Roman men albeit with betrayal of promises made to them.

Bode

Screaming woman by Sudliche Niederlande 16thC – not sure why she is screaming although the loss of her arm may have something to do with it!

Bode

Salome receiving the head of John The Baptist in the Dungeon after she had requested his beheading. Georg Schweigger Werkstatt 1648:

Bode

An 11th century Oliphant (Ivory horn for signalling the end to this post):

Bode

Berlin’s Pergamon Museum and the amazing Babylonian Ishtar Gate from 575 BC!

Monday, July 17th, 2017

The Pergamon Museum in Berlin is next to the Neues Museum (which houses Nefertiti’s portrait) and the Alte Nationalgalerie – all are a must see while you are in Berlin – the Pergamon tends to have the biggest queues so perhaps get in there early.

These were all shot with the Olympus OM-D E-M1 II Micro Four Thirds camera with Olympus mZD 7-14mm f/2.8 pro lens and the Olympus mZD 40-150mm f/2.8 pro lens.

The city of Babylon and its impregnable blue walls and gates must have looked amazing and to think it was 2500 years ago – the gate was covered in lapis lazuli, a deep-blue semi-precious stone that was revered in antiquity due to its vibrancy – an amazing beacon in all of the Middle East – here is the Persian Ishtar Gate constructed in about 575 BCE by order of King Nebuchadnezzar II dedicated to the Babylonian goddess Ishtar, but only the smaller 15m high gate is re-constructed here in the museum (the larger gate is in storage) – they were originally obtained by the German excavation of Babylon in 1899-1917:

Pergamon

Detail of the colored glazed bricks which here are composites of the original brick fragments, these extensive Walls of Babylon were considered one of the original Seven Wonders of the World (until replaced by the 3rdC BC Lighthouse of Alexandria). The original wall was cemented together using asphalt from the Dead Sea then known as Lake Asphaltum for the amount of asphalt that ended up on its shores:

Pergamon

Marble Roman market gate c100AD which were uncovered in the German excavations of Miletus in 1903-1905, 60% of which is original an originally re-constructed in 1929 but had to be substantially repaired in 1952-52 after bombings in WWII severely damaged it:

Pergamon

Pergamon

Basalt reliefs c 8th century BC: Ashur, the eagle headed winged deity – the head Assyrian god which dates from around 5000 yrs ago in the mid 3rd millenium BC:

Pergamon

Assyrian Palace c880 BC – Ashur:

Pergamon

The recurring motif of Assyrian sculpture – the Winged Genie c 870BC, which were closely associated with the god Enki. The idea of the Winged Genie formed the basis for similar creatures of archaic Greek mythology such as the Chimera, Griffin or Pegasus during the orientalisation phase of the Early Iron Age in 9th C BC in Crete, and made it into the Seraphim of the book of Isaiah in the Bible which had 6 wings, and in Revelation 4:7, the winged man becomes the symbol of Matthew the Evangelist.

Pergamon

Gebetsnische (Islamic Prayer niche) from Safar, Iran c623 AD if I translated the text correctly:

Pergamon

It was worth the rather long wait in the queue to get in!

Berlin’s Deutches Historisches – History of Germany Museum – some very cool works there

Monday, July 17th, 2017

I personally found the Deutches Historisches Museum quite fascinating and it is well designed in timeline order so that it is relatively easy to get a reasonable grasp of Germany’s history, albeit from a German point of view.

Here are just a few of the displays I found particularly interesting.

These were all shot with the Olympus OM-D E-M1 II Micro Four Thirds camera with Olympus mZD 40-150mm f/2.8 pro lens, mostly at around 1/8th sec handheld with full frame equivalent focal lengths around 200mm!

17th century plague mask for doctors to hopefully protect them from catching the dreaded disease by placing herbs or sponges soaked with vinegar in the beak – I am guessing it didn’t stop the infection but it might have made the smell of rotting corpses easier to bear:

Deutches Historisches

Wolfgang Amadeus Mozart and his family by Louis Carmontelle, 1770:

Deutches Historisches

Georg Friedrich Handel (1685-1759) by Balthasar Denner, 1733:

Deutches Historisches

Karl Gottlieb Luck’s porcelain work Zwietracht in der Ehe (Discord in Marriage) 1775 – beware the German woman scorned – domestic violence has a long history indeed!

Deutches Historisches

The Battle of Trafalgar 1805 by William Miller in 1839:

Deutches Historisches

The morning after the Battle of Waterloo
by John Heaviside Clark in 1816 who had created his sketches on site at the battle field which formed the basis for this haunting painting – but it seems we never learn from wars:

Deutches Historisches

Ludwig Knaus’ Der Unzufriedene (The Malcontents or The Social Democrat), 1877 – shows a brooding visitor in an inn. On the wall is a handbill from the 1877 parliamentary elections. The newspapers are social democratic ones.

Deutches Historisches

AEG’s electric light advertisement 1888:

Deutches Historisches

Josef Rolletschek’s Die Vertriebenen (The Displaced) 1889:

Deutches Historisches

Germania, an image by Friedrich August von Kaulbach in 1914 which embodies Germany’s readiness to fight:

Deutches Historisches

East Side Gallery – street art on the remnants of the Berlin Wall

Sunday, July 16th, 2017

These were all shot with the Olympus OM-D E-M1 II Micro Four Thirds camera.

East Side Gallery

East Side Gallery

East Side Gallery

East Side Gallery

East Side Gallery

East Side Gallery

East Side Gallery

East Side Gallery

East Side Gallery

East Side Gallery

East Side Gallery

And a bit of a surreal post-processing for this one:

East Side Gallery

Some art works from Berlin’s Alte Nationalgalerie

Sunday, July 16th, 2017

When in Berlin, purchase a 3 day Museum Pass (but don’t forget most museums are closed on Mondays), and allow yourself time for maximum of 3 museums each day – assuming you like art or history!

Berlin’s Alte Nationalgalerie is on the Museum Island and mainly holds 19th century art works, so let’s see a few of my favorites from the gallery.

These were all shot with the Olympus OM-D E-M1 II Micro Four Thirds camera with Olympus mZD 40-150mm f/2.8 pro lens

Antonia Canova’s Hebe 1796; In ancient Greek religion, Hebe is the goddess of youth and daughter of Zeus and Hera, and was the cupbearer for the gods and goddesses of Mount Olympus, serving their nectar and ambrosia, until she was married to Heracles.

Alte Nationalgalerie

Arthur Kampf’s Der Artist 1907:

Alte Nationalgalerie

Osman Hamdi Bey’s Persian Carpet Dealer on the Street 1888

Alte Nationalgalerie

Sabine Lepsius’ Self portrait 1885

Alte Nationalgalerie

Christian Daniel Rauch’s Kranzwerfende Viktoria (Throwing the Wreath of Victory to the Winner) 1838-45 which has served as a model for football league trophies, but which I have rendered as sepia here (it is really lovely white marble):

Alte Nationalgalerie

Franz von Lenbach’s Theodor Mommsen 1897

Alte Nationalgalerie

Edouard Manet’s Im Wimtergarten (In the conservatory) 1879

Alte Nationalgalerie

Max Liebermann’s Kleinkinderschule in Amsterdam (Kindergarten or toddler’s school in Amsterdam) 1880

Alte Nationalgalerie

Heinrich Anton Dahling’s Kranzwinderinnen (Woman braiding wreaths) 1828

Alte Nationalgalerie

Elisabeth Jerichau-Baumann’s Twin Portrait of the Brothers Grimm 1855

Alte Nationalgalerie

Moritz von Schwind’s The Painter Joseph Binder’s Adventure 1860

Alte Nationalgalerie

Georg Friedrich Eberhard Wachter’s Telemachs Ruckkehr (Telemachus’ Return) 1800-08; Telemachus is a figure in Greek mythology, the son of Odysseus and Penelope, and a central character in Homer’s Odyssey. The first four books of the Odyssey focus on Telemachus’s journeys in search of news about his father (Odysseus, who left for Troy when Telemachus was still an infant), who has yet to return home from the Trojan War.

Alte Nationalgalerie

Carl Friedrich Lessing’s Schutzen am Engpass (Riflemen Defending a Pass) 1851

Alte Nationalgalerie

Carl Friedrich Lessing’s Ritterburg (Knight’s castle) 1828

Alte Nationalgalerie