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Handheld night street photography with Olympus E-M5 and Panasonic 20mm pancake lens – Melbourne’s “White Night” event

Sunday, March 3rd, 2013

On a warm balmy summer night, Melbourne hosted its 2nd “White Night” event of all night long cultural activities which attracted unprecedented crowds surpassing even New Year’s Eve crowds.

In such crowds a tripod is just asking for trouble, and a kit zoom lens is not going to suffice.

Many of the attractions were projected images on Melbourne’s buildings and what better way to capture these in dense crowds than to use the Olympus E-M5 Micro Four Thirds camera hand held with a tiny Panasonic 20mm f/1.7 pancake lens which of course is effectively image stabilised thanks to the E-M5 making it an awesome compact night street photography combination.

These were all taken at ISO 800, mostly at shutter speeds 1/10th-1/50th sec and at f/1.7 (except the last one which was f/2.8).

The night begins:

the night begins

Birrarung Marr art installation:
Birrarung Marr art installation

The band plays under Flinders St railway station clocks:

the band plays under Flinders St railway station clocks

Projected buildings:
projected buildings

projected buildings

projected buildings

Projected love messages on the Yarra River:
projected love messages on the Yarra River

The Olympus OM-D E-M5 with 12mm lens makes hand held urban street shots at night easier and more enjoyable with more security

Sunday, May 27th, 2012

Last week I went on a road trip to outback Australia to play with my new Olympus OM-D E-M5 Micro Four Thirds camera and primarily used it with the lovely but moderately expensive Olympus m.Zuiko Digital 12mm f/2.0 lens.

I love walking the streets at night to take urban street scenes at night when they have a totally different character, but carrying a tripod and a big camera when you are by yourself is just asking for trouble!

The Olympus OM-D E-M5 camera with the Olympus 12mm lens is small enough to easily fit in a jacket pocket so you can be discrete and hide it when there is potential for trouble, furthermore it means you can still go into a pub for a drink and not draw attention to yourself.

This combination allows you to easily do fun night shots as the image stabilisation combined with the 12mm f/2.0 lens, EVF so you can still see your subject in the dark, fast AF in the dark, adequate DOF for street landscapes even at wide apertures, and high image quality at ISO 1600 breaks barriers that no other system can match for hand held shots at night of static subjects, easily beating my Canon 1D Mark III pro dSLR for this purpose.

You can hand hold this lens down to shutter speeds of even a half a second if you are very careful, although I would recommend you try to limit yourself to 1/4 or 1/6th second to get more reliably sharp photos.

At f/2.0 or f/2.8 and ISO 1600 at 1/4 sec you can get into some quite dark environments and take successful shots, plus the slow shutter speed allows you to add some motion blurring effects if need be.

Here is a typical hand held shot walking around the remote outback mining town that is Broken Hill – which I think is actually quite a lot safer than Melbourne at night but still, I wouldn’t want to push my luck!

a Broken Hill pub at night

This is essentially straight from the camera (although converted to B&W, cropped and resized for the web in Lightroom).

Shot details: Olympus 12mm f/2.0 lens at f/2.0 with ISO 800 and shutter 1/20th sec hand held.

I have also posted these earlier related blog posts:

This combination makes an awesome, compact, high image quality, versatile travel photography kit, just add in a walkabout zoom lens and a 45mm f/1.8 portrait lens, and you are set!

A very quick night street shot as I walked across the road and an ambulance started bearing down on me

Saturday, May 5th, 2012

Just to show how responsive and fantastic this Olympus OM-D E-M5 Micro Four Thirds camera is with the Olympus m.ZD 12mm f/2.0 lens on, here is a shot as I was crossing a busy Melbourne intersection with camera in hand.

I had a split second to compose, AF, get the shot and get out of the way as the ambulance with lights and sirens on started to head my way.

The ONLY processing this image has had is in Lightroom 4.1 on the RAW file which was rotated a touch, cropped and then exported as web size with compression and default Lightroom sharpneing for the web.

It was taken at ISO 320, 1/60th second at f/2.0 with autoWB, noise level at low, Picture Style = Natural with default settings.

Obviously no tripod, but I was walking and had an umbrella in my left hand so I was not holding it carefully – indeed not carefully enough that I had to rotate the image!

But still it is very sharp indeed given the situation!

Click on it for larger view.
Melbourne at night on the move

The incredible Olympus OM-D E-M5′s hand held low light performance plus a high image quality wearable camera system! No more back pack, good bye tripod!

Friday, May 4th, 2012

Today was the 1st day I had the opportunity to take my new Olympus OM-D E-M5 Micro Four Thirds camera for a walk in the city.

It was a heavily overcast, wet day, and I decided I would catch the train in, leave my backpack at home, and carry my camera kit in my jacket pockets as well as carry a full size umbrella, just to see how it would go.

I took the E-M5, Olympus 12mm f/2.0, 17mm f/2.8 pancake, and 45mm f/1.8 lenses (I can’t wait until the 75mm f/1.8 comes out in about July!).

I could easily have also taken the Olympus 14-42mm collapsible kit lens in another pocket, they are all so light and compact.

I must say, this was the 1st time, I have been able to carry 3 lenses and such a high quality camera with me in my jacket pockets and would-be assailants would be none the wiser!

I have just downloaded Lightroom 4.1 RC so I could play with the Olympus RAW files, and being late at night now, I decided just to upload one untouched file other than being opened in Lightroom and resized and compressed for the web, and this is the one below top demonstrate how fantastic the hand holdable low light capabilities of this camera.

For this shot it was about 3 hours AFTER sunset, in the middle of a very dark alley, looking through my 12mm f/2.0 lens in the EVF the image was dark as the light levels were BELOW what the EVF is designed for (I didn’t put the Live Boost on, nor resort to iAUTO, both of which would have made the EVF brighter). The wall was lit by a distant lamp.

I was hand holding the camera at the end of a cold walk in the night air (~10degC), and the camera had no problems rapidly autofocusing on the graffiti on the wall even though it was so dark (I have the AF illuminator OFF as well !!).

So here is the untouched shot to give an idea of how sharp it is at f/2.0, ISO 800 and exposure 1/2 a second hand held – yes you read correctly half a sec hand held!!

Of course, I could have bumped ISO to 1600 and allowed a more reliable 1/4 sec exposure, but here is my one and only attempt at half a second on this shot before I caught the train home:

WARNING: this photo is NOT meant to have any artistic or photographic merit other than to show half-second hand held photos ARE possible!

12mm hand held at half sec exposure
When you can hand hold shots at 1/3rd a second reasonably reliably, it means you can get reasonable night street shots with moving headlights, as well as being able to do moving water shots such as waterfalls in case you forget your tripod.

For hand holdable low light wide angle at 24mm focal length in 35mm terms with AF, you just can’t do this with a Nikon or Canon cropped sensor dSLR to this degree and for this price.

For a start neither Canon nor Nikon make a 24mm equivalent prime lens for their cropped sensor dSLRs so you have to go for a zoom lens at f/4 (f/2.8 if you go Sigma), or the super expensive 14mm f/2.8 pro lens would be the closest prime, and in neither situation do you have image stabilisation.

And don’t even think about even putting the lens in your jacket pocket let alone a camera and 3 lenses.

When I was walking around and it was lightly raining, I just turned the camera with the lens downwards as these lenses are not weatherproof like the E-M5.

I just wish Olympus did not follow Canon’s lead and put a stupid ON/OFF switch at bottom rear of the camera, as I had to use 2 hands to turn it on, while for the most part I could just walk around and control everything with my right hand while my left hand held the umbrella up.

The other tricky time is trying to change lenses in the wet, it would be nice to have a 3rd hand as I was always worried I might drop one of the 3 items I was juggling.

Wouldn’t it be nice if Olympus made all these components TOUGH like their compact camera series!!

Very happy indeed so far with this camera.

It has its foibles but it is such an amazing camera for its size and the lenses are just so lovely, and the AF so fast, the foibles are insignificant in comparison.

Now the comet show is over, its New Year’s Eve fireworks time

Saturday, December 31st, 2011

The wonderful unexpected Christmas comet show is over.

Now its time to get you cameras out for the New Year’s Eve fireworks and parties.

see my previous posts on photographing fireworks:

Have a great and safe New Year.

Tips for better Christmas party indoor photos – all you need is a Micro Four Thirds camera, pancake lens and a flash

Saturday, December 17th, 2011

Indoor Christmas party photos can be a very trying issue for the social photographer.

Sure you can use a point and shoot digital with its built-in flash and get the usual shots, but what about aiming for a bit more flattering portraiture without taking a studio lighting kit with you?

My favorite indoor party camera kit is the following:

  • a compact unobtrusive Micro Four Thirds camera – the smaller the better so you can carry it – try the Olympus E-P3, E-PL3, E-PM1 or Panasonic GX-1, but the larger versions such as my GH-1 or the new GH2 or G3 will be still much better than a dSLR. It MUST have a hotshoe – so the Panasonic GF-3 will NOT be a good choice!
  • a compact wide aperture lens like the Panasonic 20mm f/1.7 if you will be doing mainly group shots, or the Olympus 45mm f/1.8 if you will not need to do any wide angle shots.
  • an external flash which you can swivel such as the Olympus FL-36 or FL-36R (the FL-50 will work even better but it is a bit too big for these cameras)

Now, the above kit could work well without the flash even indoors IF you have nice flattering lighting for your portraits such as window light or a light hitting the face at a 45deg angle.

More often than not, venues will have very unflattering and often quite dim lighting – downlights are among the worst for flattering portraits unless you position your subject very carefully indeed.

Faced with difficult lighting, your best option for easy to achieve nice portraits indoors is to put a nice powerful flash on your camera and swivel its head so that it bounces off the cornice region of the wall behind you or to the side of you. BUT you do need relatively light and relatively colour neutral paintwork to bounce off – if its is natural wood panels, forget this option!

Set your camera for bounced flash:

  • shoot in RAW + jpeg so you can more easily adjust white balance in Lightroom and add some nice vignette effects, etc afterwards.
  • set exposure mode to M for MANUAL EXPOSURE – this is to stop the camera choosing a shutter speed that is too long and allows the ambient light to add nasty colour casts and shadows as well as camera shake and subject movement blur to your precious photo.
  • set shutter speed to 1/160th sec (a starting point on these cameras as this is the faster shutter they can do in flash mode “the flash sync”)
  • set aperture to a nice wide aperture like f/1.7 or f/2.0 as this will help blur the background and allow you to use less flash power – if you are taking a group shot with subjects relatively close to the camera (eg. 2-3m) but at different distances (eg. closest person is 1.5m and furtherest person at 2.5m), and you want them all in focus, you may need to stop the aperture down to f/4 or so.
  • set ISO at lowest acceptable ISO (eg. 200 would be reasonable, although if you find your flash is not powerful enough, you may need ISO 400)
  • set up the flash: put flash on camera, turn flash on (remember fresh set of batteries), set flash to TTL
  • double check that your flash adjustment setting is zero (I tend to often have mine set to -1EV to -2 EV when using it for fill-in flash so don’t forget to put it back to normal as your flash will be your main light source).
  • set AF mode to face recognition
  • make sure flash is aimed at a nearby wall, ceiling or cornice that will bounce onto your subject’s face
  • and you are ready for fun!!

Here is a QUICK impromptu snap of my friends using this method at f/1.7 using the Panasonic 20mm f/1.7 pancake lens – my “party lens”:

portrait

If the room ambient lighting in the background is too dark for your liking, just play with the shutter speed – the longer the shutter speed using the above technique, the more ambient light you allow and the lighter the background will be.

If you are using a wide-normal lens like the 20mm f/1.7 pancake, avoid getting too close to your subjects as this will cause unflattering distortion making their noses appear larger than they are, etc, so stay at least 1.5 – 2m away, and if need be, crop your images later.

Also be careful of arms coming towards you such as resting on a chair, as these will also gain an unflattering distortion.

Your friends will be blown away with the quality of your photos – far better than point and shoot cameras with inbuilt flash and as good as dSLRs.

They will then likely say wow, what camera did you use to take those with – instead of saying what a great photographer you are – but that’s life – people treat photography quite differently to music – they would not dare say, wow, that sounded great, what brand piano did you use?

If you do not have an external flash, then you will have to settle for harsh, direct on-camera flash in the same manner as a point and shoot shot – just use the above settings but DON’T FORGET to POP UP the built-in flash!

The big group shot:

Then once everyone realises that you are a brilliant photographer capable of making them look good, inevitably you will be asked to do the group shot.

Now, in a dim room, with downlights, a group shot with minimal equipment could be hard to pull off well.

But not with the above kit and a bouncable ceiling, a great photo is easy to achieve, just step back far enough to get everyone in making sure that your flash can aim at the ceiling well in front of the group (you may need a decent flash for this or increase your ISO and open your aperture to get enough light from your flash).

 What happens when you use other exposure modes on a Panasonic GH-1 in low light indoors?

SCN mode “Party”:

  • this should do the trick shouldn’t it?
  • if you don’t put the flash up, it puts ISO = Auto ISO and you will probably end up with ISO 400 even if you have ISO limit higher than that, and if you have a f/1.7 lens, a slow shutter speed to match the ambient lighting which will most likely end up with camera shake or subject movement – not what we want unless ambient light is bright enough and your lens aperture is wide enough to allow a fas shutter speed.
  • if you put the flash up, ISO is set to 100, aperture at the widest but still shutter speed is set to match ambient just as above, so now our subject will be blurred from subject motion but combined with a sharp component from the flash – this may be a useful effect but most will not want this.

Portrait mode:

  • don’t use this indoors without a flash unless you choose “indoor portrait” otherwise ISO is set to 100, and even at widest aperture that it selects, shutter speed will be far to slow.
  • with flash up, it can be useful, ISO set to 100, aperture widest and shutter 1/30th sec and you have the option of “soft skin setting”
  • interestingly, even with the flash up, the flash does not fire using the “indoor setting”

iA exposure mode – the “dummies” mode:

  • if the flash is down, ISO will be the highest allowed as set in ISO LIMIT, aperture the widest, and this will give you the fastest shutter speed possible for the available light – if you don’t want to use flash, this is just what you want.
  • if the flash is up, ISO will be set to 100, aperture the widest, and shutter to 1/125th sec which will expose your subject well with the flash and reduce blur, while the background ambient will be under-exposed – again this is not a bad outcome indeed.

“A” exposure mode – aperture priority:

  • you should set the widest aperture for the lens
  • if the flash is down, Auto ISO setting will give the  lowest ISO to keep the shutter faster than 1/30th sec as long as ISO LIMIT is not reached due to very low light, in which case, shutter speed becomes slower and you will get subject blur.
  • if the flash is up, shutter speed will be set to 1/30th sec and Auto ISO will set ISO to 100 – this shutter speed will risk subject blur  if ambient light is bright enough.

“P” exposure mode – programmed mode:

  • aperture will be set to the widest
  • Auto ISO and shutter speed will be set as with A mode with lens at widest aperture

“S” exposure mode – shutter priority:

  • this could get you into a lot of problems in low light with flash down if you are not careful
  • with flash down, you select the shutter speed, and if ambient light allows, Auto ISO will be set to lowest (100) as first priority with aperture at the widest needed for this ISO. If there is not enough light at widest aperture and lowest ISO, the ISO will then be increased but not beyond the ISO LIMIT setting. If higher ISO than this is needed, the image will be under-exposed and the viewfinder values will flash red to indicate this. You should then choose a slower shutter speed until you are back in a possible exposure range.
  • with flash up, you can select a shutter speed but no faster than the flash sync speed of 1/160th sec. Auto ISO will set ISO to 100, and the aperture will be set to the widest available without causing over-exposure due to ambient light.

My conclusions:

  • use manual mode when using the flash up if you want control over the aperture, shutter speed and ISO but still have automatic exposure of the flash.
  • using iA mode seems a reliable option for either no flash or flash and is the probably the best option for beginners
  • avoid A mode for indoor parties as you are likely to end up with a slow shutter speed of 1/30th sec which may cause subject blur unless you specify a higher ISO setting such as 400 for indoor parties with a wide aperture lens and aperture set to the widest aperture
  • consider S mode if you want to achieve a certain blur effect from a longer shutter speed, but use Auto ISO setting
  • avoid the Party Scene mode unless you want blurred subjects when they are moving
  • if you want softer skin effect, choose Soft Portrait mode but use a flash!
  • the Indoors Portrait mode will NOT allow use of a flash!
  • there is also a creative portrait mode which allows you to alter depth of field by adjusting the aperture.

Concert photography from the back row

Friday, December 9th, 2011

We all want a little memento of the concerts we pay lots of money to attend and enjoy but taking a reasonable photo from 100m or more away is challenging given the constraints imposed by the concert venue – in particular – most only allow photos from “small digital cameras” and ban videos.

Don’t bother bringing a dSLR or large lenses – the security staff will almost certainly ask you to put it away.

Simple point and shoot cameras with their tiny sensors and minimal telephoto zoom reach are not going to get very good quality shots unless you are lucky enough to get to the mosh pit near the stage.

My solution which pushes the venue limits and may still require some discretion, in particular, you do not want security staff to be given the impression your are doing long sequences of video as that would be banned no matter what camera or lens you use.

Camera choice:

The best compromise then is a small, compact mirrorless camera with a built-in electronic viewfinder (you do NOT want to be distracting everyone with bright light coming from an LCD screen – use the viewfinder to do everything).

I use a Panasonic GH-1 Micro Four Thirds camera although even this is probably getting a bit big for venue staff – a smaller mirrorless camera such as a Olympus E-PL3 with the optional viewfinder may be a better option, and the Olympus cameras have the added benefit of built-in image stabilisation which can be useful in this situation where you will be using relatively slow shutter speeds of 1/125th second for 200-270mm telephoto reach at ISO 800.

The newer Sony NEX mirrorless cameras (eg. Sony NEX 5n or NEX 7) could be used if they have an electronic viewfinder but they have the disadvantage compared to Micro Four Thirds in that the same size lens does not give you as much zoom – and for this, you want as much telephoto reach as possible from your lens. Furthermore, they do not have built-in image stabiliser like the Olympus cameras do.

Lens choice:

Next step is to choose a lens to use which will give you enough telephoto reach without being too large that venue staff will object.

My preference is a legacy manual focus Olympus OM lens with wide aperture.

Olympus OM because they are among the most compact lenses you can get.

Manual focus lens because, I like to manually focus and then just leave it carefully in that focus position so I can just pick the camera up, turn it on and I am ready to capture a key moment without having to worry about focus – autofocus lenses may struggle in many concert lighting conditions and may cause you to miss your shot.

The Olympus OM 135mm f/2.8 lens is probably the largest lens you can get away with and this gives you sufficient telephoto reach for a large concert venue while the f/2.8 aperture allows you to keep ISO around 800 and shutter speed around 1/125th – 1/200th sec.

If you know you will be a bit closer to the stage, the Olympus OM 100mm f/2.8 lens is smaller and much more likely to be acceptable to venue staff.

Next step is to set your camera up.

Firstly make sure it will NOT be firing the flash – flash will be useless at such distances, it will drain your battery and it is really, really annoying to everyone else.

Set your ISO to ISO 800 – a lower ISO will mean shutter speed will be too slow for hand held telephoto shots and you will end up with too much camera shake.

If your camera is an Olympus, set image stabiliser to the focal length of the lens you are using – assuming it is a legacy lens such as an Olympus OM lens.

Next, set your exposure mode to MANUAL and with your lens wide open (eg. f/2.8), take a few shots at different shutter speeds until the exposure of the faces on the stage under the stage lighting looks adequate – this will be something like 1/125th sec.

Finally, use magnified view to accurately focus your lens on the stage.

Then you are ready to go.

These images have not been cropped and have not had any post-processing (except colour adjustment in the last one) other than resize to web size and the default Lightroom export sharpening for screen.

Elton John

Elton John in concert, Melbourne 2011

Taken from a long way back using Panasonic GH-1 with Olympus OM 135mm f/2.8 lens.

Elton John

Elton John

Europe holiday – Rome IV – a fast lens can be used without a tripod at night

Saturday, November 6th, 2010

Using a tripod whilst traveling is a big pain, especially when you have to carry it all day in high security risk areas and then set it up in crowded locations.

A potential alternative is using a high quality wide aperture lens, and for this trip, I had the superb Panasonic Leica-D 25mm f/1.4 lens which gives great image quality even wide open, all I could wish for was that Panasonic would incorporate image stabilisation into their camera bodies as Olympus have done, but I don’t think that will be happening any time soon.

Selling paintings at night in Piazza Navona (ISO 800, 1/100th sec, f/1.4):

Selling paintings at night in Piazza Navona

Inside the church opposite the Trevi Fountain at night (ISO 800, 1/30th sec, f/1.4):

Inside the church opposite the Trevi Fountain at night

Note that I have used the native 16:9 aspect ratio of the Panasonic GH-1 to squeeze a bit more height into the images as an effective focal length of 50mm in 35mm terms with this lens can make things a bit tight.

Instead of the Leica-D 25mm f/1.4 lens, one could use the much lighter, compact, less expensive, Panasonic Lumix 20mm f/1.7 which would give a wider angle of view but require a longer exposure time at f/1.7 instead of f/1.4.

On camera flash would not have been helpful inside this church, so for those using slower lenses, the main alternative would have been to raise the ISO – ISO 1600 at f/2.0, ISO 3200 at f/2.8, ISO 6400 at f/4.0 and ISO 12,800 if you happen to have only a f/5.6 kit lens, although if it had IS, then perhaps a lower ISO may be possible by using an even slower shutter speed and being very careful with camera shake.

Image quality with a point and shoot digital camera or even a kit lens on a dSLR would be poor inside this church – this is part of the reason Micro Four Thirds makes a great travel photography compromise – optimising size vs image quality.

If one wished to capture images at greater than 16 megapixel resolution such as with the newer Canon dSLRs, then a tripod becomes indispensable for nearly every shot at lower shutter speeds – if you don’t use a tripod in these situation, you may as well be using a 10 megapixel camera as you will not be gaining any more resolution, and your file storage is impacted for no real benefit.

New cloud cover, astro seeing and wind forecasting website

Sunday, January 11th, 2009

I have been waiting patiently and finally someone has created a graphical weather map style website which forecasts low, middle and high level cloud cover, wind strength and direction, dew, astronomical sky transparency and seeing.

See SkippySky.com.au.

Currently there are forecasts for Australia, Europe and Nth America, with the data derived from the American NCEP GFS computer weather model data (ie. not from Australia’s Bureau of Meterology which is at bom.gov.au and thus may have different forecasts).

This website will be very useful for astrophotography as well as general outdoor photographers wishing to find out the likelihood of good cloud conditions for their photos.

A celestial smiley face to bring cheer and good luck

Tuesday, December 2nd, 2008

It’s Dec 1st, 2008 and tonight we had the pleasure of a conjunction of the crescent moon, Jupiter and Venus making a smiley face in the evening sky.

This alignment of the crescent moon, Jupiter and Venus apparently will not occur again until 2052, although the next time Venus and Jupiter have a close conjunction is in May 2011 and March 2012 so for those that missed it, here is what it looked like from Melbourne, Australia.

I took the opportunity to play with my Canon 1DMIII with EF 24-105mm L lens from my letterbox.

moon, jupiter, venus

For the tech heads, I removed the UV filter to minimise lens flare from the street light and the settings used were 24mm focal length, f/4, 3200ISO, 0.5sec exposure.

No post-processing, just resizing and compression for the web. Click on the image for a 1000 pixel wide view.

I also tried with an Olympus OM 21mm and 24mm lens but whilst both gave excellent results, they did have a more pronounced lens flare.

Of course, I could have moved over to the park and avoided the street light but I felt this added interest and lit up the foreground nicely.

And just for the Olympus guys… here is a shot with the Olympus E510 with ZD 50-200mm SWD lens at 50mm which I have cropped just a little and applied a blue monotone tint in PS but no other PS other than resize and compress for the web.

Olympus - moon.

This image was taken at f/4.5, ISO 400 at 6 secs exposure with antishock set to 5 secs (mirror lockup). I purposely over-exposed the moon to bring out foreground detail.

The ZD 50-200mm at 200mm giving 400mm eq. focal length reach in 35mm terms actually took a very nicely cropped shot just of the moon, venus and jupiter, but lacked the contextual interest of the foreground.

Those in Europe should be lucky enough to see the moon occult Venus in a similar way to the following occultations I imaged of Jupiter and Mars a few years ago.

“The last time London was treated to such a favorably placed Venus occultation was back on October 7, 1961. And after 2008, there will not be another similarly favorable Venus occultation for the United Kingdom until January 10, 2032.”

I captured an uncommon event in 2005 when Jupiter was occulted by the moon:

jupiter occultation

and.. an even rarer event, a grazing occultation with Mars when Mars was almost at its closest to Earth in 2003 in tens of thousands of years – hence bigger and brighter than usual.

mars occultation

More of my astrophotography can be found here:

More information on this event can be found at space.com.

Other blogs to cover this event:

And, if you are in America, the moon has moved to the other side of Venus and Jupiter resulting in a sad face, which I guess is representative of the state of affairs over there :)

see:

and compares with past events:

and don’t miss this image of a sequence of shots at the same time each day for a full month in New Delhi showing Jupiter marching towards Venus using an 18mm lens. Three days of photography are missing because of clouds and haze in the evening, 12th, 16th and 30 November. The crescent moon starts at the bottom on 1st November, goes just at the edge of (behind) the building, and upwards, and returns in the scene on 1st December to form the now famous Celestial Smiley!

  • The octagonal building in foreground has a bit of astronomical history, Humayun – a mughal emperor in India, was an astronomer, one evening he was trying to locate Venus in the evening dusk when he heard the muezzin’s call for evening prayers, he rushed and fell down the stairs to his death (a few days later). The octagonal building was the library of Humayun.
  • Several DSLR cameras were used, Canon 450D, Canon 1000D, Nikon D80, Nikon D70. The images were first scaled (in photoshop) bringing them equal to a Canon 450D, as most of the photos were taken with this camera. Alignment (Translate, Rotate, Scale) was done in Images Plus, and composite was constructed using Startrails software.