March 7th, 2010

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Panasonic formerly announce their two new touch screen Micro Four Thirds cameras – the G2 and G10 plus a new 14-42mm kit lens

Sunday, March 7th, 2010

New Micro Four Thirds cameras add touch screen control.

The touch screen control allows:

  • choose subject to AF on by touching it on the screen, and the camera will then track that subject automatically (if it is not moving too fast)
  • face recognition allows finer AF on the eye
  • ability to choose AF region size or spot metering location
  • multi-area AF possible
  • further improves speed of manual focus by allowing you to quickly choose the area on the screen you wish to be magnified, then choose level of magnification 1x, 5x, or 10x PLUS you can change MF via touching a slider function on the screen instead of using MF ring on the lens – of course, I presume it will also be automatically activated when in MF mode and you rotate the MF ring of a M43 or Four Thirds lens.
  • ability to trigger shutter
  • ability to move guide lines around
  • improves playback functionalities such as image selection


Panasonic G2:

  • similar styling to the G1 and GH-1
  • 12mp sensor
  • 460,000 dot flip, swivel touch screen LCD
  • 1,440,000 dot 60fps EVF – similar to that on the G1, GH-1 and thus much better than the GF-1 add-on EVF
  • imaging engine upgraded to the new Venus Engine HD II detects 3 separate regions of the image – outlines, detailed texture areas and soft gradation areas, to optimise image quality for each region.
  • adds AVCHD Lite 720p 30fps video with HDMI output, and can take a photo while recording movie by just pressing a shutter button.
  • as a cost cutting measure, does not have the 1080i AVCHD mode of the GH-1, nor the 60fps 720p mode – these will come in the GH-2
  • the front dial of the GH-1 has thankfully been moved to the rear – I was always plagued with accidentally changing exposure compensation on the GH-1 and there was no way to deactivate it.
  • movie record start/stop button has thankfully been moved to the top of the camera – I was forever accidentally pressing it with my eye up t the EVF on the GH-1
  • film mode button has been replaced by an iA button
  • focus mode dial on top left of the camera has been re-designed to add AF type mode such as face detection, tracking, multi-point, while the rear button previously used for this is now the metering mode button which was previously only available via menu. This may be problematic when using legacy MF lenses with eye up to the EVF as the touch screen will not be there to help out, and presumably, one will need to use your left hand to activate MF assist, then right hand to hit OK button, then left hand to manual focus – not sure this will be a great sequence of events – the Olympus may be the better approach for those using an EVF.
  • can divide videos in-camera
  • added My Color (art filters) including Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, and Silhouette, but seems as though you still can’t set the color filter for B&W images as you can on the Olympus cameras – I hope I am wrong, but I really miss this functionality.
  • the 26 scene modes adds a Peripheral Defocus mode, and most of these can be applied for video capture as well.
  • stereo mic port
  • built-in flash with GN 11m (ISO 100) and flash sync 1/160th sec but still no remote TTL as is available with the Olympus E-PL1
  • ISO increased to max. 6400
  • shutter speed 60 -1/4000 sec but BULB limited to 4min
  • 2, 2.6 and 3.2fps burst rates

Panasonic G10:

  • similar to the G2 but a cut down version
  • EVF is only 202,000 dot
  • HD video at 720p 30fps  is only motion jpeg with no AVCHD Lite option
  • no stereo mic port

Panasonic 14-42mm Mega OIS 3x zoom kit lens:

  • similar optics to the 14-45mm kit lens but cheaper build quality and no IS switch on the lens.

Panasonic GH-1 at Melbourne’s Moomba Festival hit by a once in 10 years super-cell hailstorm

Sunday, March 7th, 2010

It was a nice warm, albeit humid March day in Melbourne yesterday, so I decided to pack my Panasonic GH-1 , Leica-D 25mm f/1.4 and Olympus OM 135mm f/2.8 lens and catch the train into the city to enjoy Melbourne’s annual Moomba Festival – a nice multicultural family event – Moomba is Australia’s largest free community festival and one of the longest running festivals in Australia.

There was no evidence of storms on the horizon, not on radars.

After a bite to eat  in our great little laneway cafe’s, I headed down to the festival region along the banks of the Yarra river.

I decided to try out my OM 135mm lens wide open at f/2.8 and stood some 30-40m from this African musician – I think his name is Jali Buba Kuyateh from the online programme (I did crop this image by removing about a third):

OM 135mm

and at the BMX bike stunt competition, I used the Leica-D 25mm f/1.4 lens at f/1.4 with the lens pre-focused so I could get nicely sharp shots with relatively shallow depth of field of this lad doing a jump on his bike (again about 1/3rd cropped out):

bike stunt

Then, with little warning, all hell broke loose, with sudden onset of golf-ball sized hailstones and cyclonic wind and rain which dumped 33mm in 30min causing flash flooding and cancellation of the festival for the day – this was the most dynamic super-cell thunderstorm to hit Melbourne’s CBD in 7 years – it dumped 66mm in 30min on nearby Flemington Racecourse where the Melbourne Cup is held.

Check out this short 720p HD video I posted to YouTube at the peak of the storm using the Leica D lens from the “safety” of a crowded, small gazebo – not protection at all for the lightning strikes, but we were lucky in that regard and had no other choice for better shelter.

This is freakin’ awesome man!

freakin awesome

And that Panasonic Leica-D 25mm f/1.4 lens was freakin’ awesome too!

See more of my photos from the event here.

See photos from other people hosted on The Age here.

Will I dare go back again today given that similar storms are forecast again for today?

ps.. my website was down for several hours after this event as the storm knocked out power to my internet provider’s data centre – apologies for that!

Now when will Olympus or Panasonic introduce a weather-proofed Micro Four Thirds camera and lens?