E-M5

...now browsing by tag

 
 

Comet C/2011 L4 PANSTARRS with Olympus E-M5 and 75mm f/1.8 lens – time to get your camera out on the 12th March for crescent moon and comet image!

Monday, March 11th, 2013

2013 is shaping up as a great year for astrophotographers with a few comets around to have fun with although none as aesthetically beautiful as the awesome Comet McNaught of 2007.

I recently posted an shot of comet Lemmon as it passed the Tucanae globular cluster and the Small Magellanic Cloud galaxy here.

On the 2nd of March 2013, I drove down to one of Melbourne’s bayside beaches to get a shot of Comet C/2011 L4 PANSTARRS comet just after sunset using the Olympus E-M5 Micro Four Thirds camera with Olympus 75mm f/1.8 lens mounted on a tripod.

Unfortunately I miscalculated where the comet would set in relation to the beach and highway traffic headlights became problematic, nevertheless I think it is a lovely shot with the Dromana beach on a balmy warm night as a couple enjoyed the romantic ambience oblivious to the comet.

ISO 3200, f/1.8, 1 second exposure:

comet

Tomorrow night (12th March 2013) at sunset for those in Europe, America and Africa, they should get a lovely opportunity to photograph a thin crescent moon next to the comet just after sunset – unfortunately in Australia, the moon is too close to the sun at sunset and will set before the comet becomes visible in the twilight, although we may get a chance the following night on the 13th March if clouds do not obscure the view.

Dusk seascapes between storms using the Olympus E-M5 camera hand held

Tuesday, March 5th, 2013

Last week I went on a camping holiday to the remote Croajingalong National Park in far eastern Victoria some 7 hours drive from Melbourne.

The trip was mainly a reconnaissance style trip rather than a photography trip as we wanted to quickly get to as many locations as possible to explore.

This necessitated very light travel without tripods – a perfect scenario for taking Micro Four Thirds cameras and lenses.

Most of the lighting for the trip was not conducive to good photographs so I was not too heart broken with not having the time to really do landscape and nature photography they way I would like to.

Nevertheless, the Olympus E-M5 camera with its image stabilisation and fast prime lenses made relatively long hand held shots after sunset in thick storm clouds possible.

For example, the following shots were taken between storms well after sunset on a wonderful beach near Mallacoota using the Olympus 12mm f/2.0 lens without any optical filters:

Beautiful rock formation textures and colours (best seen viewed large by clicking on the image), ISO 200, 1/10th sec, f/3.2:

Mallacoota

Capturing some spiky wave action to mimic the spiky leaves on the top of the rock formation, ISO 400, 1/3rd sec at f/2.2 (I was in a bit of a rush with this shot as the waves were coming in at me so the long exposure shot is not as sharp as I would have liked, but better than any other camera could manage hand held at 1/3rd sec):

Mallacoota

And if anyone is interested in visiting this wonderful part of the world, here is a shot of the beach area in Mallacoota township adjacent to a very large caravan and camping park – highly recommend it for those who want to get away for some peace and quiet yet still want to explore the wilderness cold temperate rainforests with its large goanna lizards, tall eucalypt and fern forests, go fishing, sunbaking, or even hire a boat on the estuaries – there is something for everyone – but don’t tell anyone it is a paradise as it might become a car park!

Mallacoota

Handheld night street photography with Olympus E-M5 and Panasonic 20mm pancake lens – Melbourne’s “White Night” event

Sunday, March 3rd, 2013

On a warm balmy summer night, Melbourne hosted its 2nd “White Night” event of all night long cultural activities which attracted unprecedented crowds surpassing even New Year’s Eve crowds.

In such crowds a tripod is just asking for trouble, and a kit zoom lens is not going to suffice.

Many of the attractions were projected images on Melbourne’s buildings and what better way to capture these in dense crowds than to use the Olympus E-M5 Micro Four Thirds camera hand held with a tiny Panasonic 20mm f/1.7 pancake lens which of course is effectively image stabilised thanks to the E-M5 making it an awesome compact night street photography combination.

These were all taken at ISO 800, mostly at shutter speeds 1/10th-1/50th sec and at f/1.7 (except the last one which was f/2.8).

The night begins:

the night begins

Birrarung Marr art installation:
Birrarung Marr art installation

The band plays under Flinders St railway station clocks:

the band plays under Flinders St railway station clocks

Projected buildings:
projected buildings

projected buildings

projected buildings

Projected love messages on the Yarra River:
projected love messages on the Yarra River

Occultation of Jupiter by the moon – using the Olympus E-M5 and iPhone TriggerTrap app

Tuesday, February 19th, 2013

Last night Jupiter was occulted by the moon as outlined in a previous blog post here and this makes for a nice photographic challenge for astrophotography enthusiasts.
It was only visible from southern areas of Australia, the best sites were in Western Australia where the event would take place at a higher altitude and thus allow better seeing conditions.
Unfortunately for much of South Australia and Victoria cloud due to an upper level trough and incoming cold front combined in some areas with bushfire smoke, made site selection critical to any chance of capturing this event.

The weather forecasts and SkippySky suggested that central Victoria should be reasonable and thus we decided to stay overnight in the historic gold mining town of Maldon and set up near the top of nearby Mt Tarrengower.

Unfortunately the clouds were closing in fast from the south west so we decided to head north-east to a site near Goornong, not far NE of Bendigo.

Even here the clouds and bushfire smoke adversely impacted our viewing and the seeing conditions, particularly for reappearance were poor making it difficult to capture the bands on Jupiter or to gain sharp images of the lunar craters at high magnification.

This is where a mirrorless camera such as a Micro Four Thirds Olympus OM-D E-M5 with its 9fps burst rate and ability to fire this remotely using the iPhone app called TriggerTrap for which you need to buy the dongle to attach the iPhone to the camera.

A mirrorless camera is critical as a dSLR becomes a nuisance managing the mirror lock up and live view.

The pixel density of the E-M5 combined with its good dynamic range and high ISO capabilities makes it an even better sensor than a Nikon D800 for imaging Jupiter as Jupiter will have ~50% more pixels in size on the final image when using the same telescope systems.

For the highly magnified images, I used a 10″ Newtonian reflector telescope with 25mm eyepice and the afocal method by attaching the E-M5 camera with the Olympus 75mm f/1.8 lens to the telescope eyepiece.

I set the E-M5 to:

  • highest quality jpeg only (to maximise burst shooting with minimal owntime as the buffer writes to card)
  • manual focus
  • High speed burst
  • Live Boost OFF (otherwise the display becomes over-exposed for such bright subjects as Jupiter)
  • manual exposure – ISO 800-1600, 1/80th sec (slower when the clouds came over and the moon was setting lower)

The critical aspect is accurate focus and the Live magnified manual focus function greatly assists this.

Then it was a matter of waiting for the breeze to settle momentarily and fire of bursts of shots hoping that one will be sharp given the microsecond atmospheric changes in seeing conditions – the trick is to take as many shots as you can – as in poor seeing conditions such as we were experiencing perhaps only 5% will be reasonably sharp and detailed.

Initial occultation phase being hidden by the dark limb of the moon taken at ISO 800, 1/80th sec:


1st phase partial occultation

 

Reappearance of Jupiter with significant deterioration in viewing conditions taken at ISO 3200, 1/15th sec :


reappearance

Finally, a romantic bushfire smoke colored moonset with Jupiter below the moon – taken with the E-M5 using a Canon EF 135mm f/2.0L lens at ISO 3200, 1/10th sec, f/2.0:


moonset

 

It was a beautiful night out with balmy 30degC warm breezes and an absolute pleasure using the E-M5 with the TriggerTrap app – make sure you leave the apps “Focus” to ON even though you have set camera to MF as otherwise it does not seem to trigger. I used the Bulb mode on the app – just hold button down for a series of bursts then release.

More on astrophotography here, and more on lunar occultations here.

Photographing the Feb 2013 lunar occultation of Jupiter from southern Australia

Sunday, February 3rd, 2013

Those of us who live in the southern parts of Australia may be fortunate enough to photograph this lovely celestial event which will take place about midnight on Monday 18th February 2013 in Victoria, but just after sunset in Perth.

The highest quality images of Jupiter will not be possible in Eastern states due to the event taking place very close to the north-west horizon and thus high resolution imaging will not be anywhere near as detailed as if Jupiter were high in the sky where there is less atmospheric disturbances.

Nevertheless it should be a fun and rewarding event for those who have the equipment and are prepared to do some planning.

As a minimum one would need a super telephoto lens with effective focal length of at least 600mm in 35mm full frame terms – the more the better, plus a sturdy tripod.

Those wishing to taking highly magnified images will need to attach their camera or video cam to a good telescope on a sturdy motor driven equatorial telescope, although with some hard work, a Dobsonian mounted telescope will be possible given the short exposure.

Traditionally, the best images of Jupiter are taken using a video camera attached to a telescope shooting frames at 10-60fps for up to 1 – 2 minutes (longer than 2 minutes causes blurring due to the rotation of Jupiter interfering with images), and then these images are stacked using special sofware such as Registax, then sharpened using wavelet or deconvolution technologies, then contrast is adjusted to get the final image.

The occultation of Jupiter will limit this approach as there is also the confounding movement of our moon.

Interpreting the astronomic data:

  • the moon phase will be 56% which is a touch after 1st quarter being at an angle of 97deg to the sun in relation to earth
  • the northern limits of visibility of the occultation (where it will be a grazing occultation) is an almost linear line running from near Canarvon in Western Australia, through just north of Flinders Ranges in Sth Australia, then to just north of Albury in NSW. there is no southern limit in Australia however, Hobart will not be able to witness the reapparance phase as the moon will be setting.
  • it will not be visible in any other country.
  • for Melbourne (latitude 37deg 43.7 south)
    • Jupiter will disappear behind the dark part of the moon at 12h 32:56 UTC (add 11 hours for AEDT daylight saving to give 23:32:56 local time) and will be 11 deg above the horizon at azimuth 307deg (37 deg north of true west)
    • Jupiter will reappear behind the bright part of the moon at 13h 10:01 UTC (add 11 hours for AEDT daylight saving to give 00:10:01 local time) and will be 5 deg above the horizon at azimuth 301deg (31 deg north of true west)
  • for Perth (latitude 31deg 56.4 south):
    • Jupiter will disappear behind the dark part of the moon at 11h 39:43 UTC (add 8 hours for WST to give 19:39:43 local time, ie not long after sunset) and will be 36 deg above the horizon at azimuth 344deg (74 deg north of true west)
    • Jupiter will reappear behind the bright part of the moon at 12h 45:38 UTC (add 8 hours for WST to give 20:45:38 local time) and will be 30 deg above the horizon at azimuth 327deg (57 deg north of true west)

Choose a camera, preferably a mirrorless one:

If you wish to use a camera instead, the best camera to choose would be one of the latest Micro Four Thirds cameras such as the Olympus E-M5, E-PL5 or the Panasonic GH-3 for the following reasons:

  • the pixel density is higher than on any dSLR and thus Jupiter, which has a diameter of only 0.01 arc seconds, will cover many more pixels (and thus theoretically capture more detail) on one of these cameras than on a dSLR for a given lens or telescope set up – here is the math:
    • if using a 5000mm effective focal length telescope, this will cast an image of Jupiter of only 0.9mm on the sensor
    • if you use a 36mp Nikon D800 full frame camera, Jupiter will cover 150 pixels
    • if you use an Olympus E-M5 camera, Jupiter will cover 240 pixels – that is 60% more pixels available
  • you will generally only need ISO 1600 on a 10″ Newtonian telescope to give a shutter speed of 1/600th sec at f/20, although if using a 3″ refractor telescope, you will need to be using closer to f/66 to achieve 5000mm focal length, and thus you may need ISO 6400 and shutter 1/300th sec
  • there is no mirror so you do not constantly need to be putting the camera in mirror lock up mode (not doing this will destroy your image detail by causing vibrations from the mirror)
  • they are designed for continous live view and magnified live view to assist manual focus is easier to access
  • the E-M5 can shoot at 9fps if you did want to select out the sharpest images or stack them – but you will want a remote shutter cable to avoid shaking the camera, and consider just shooting jpegs to avoid having to wait for the buffer to empty after a burst (use a fast SD memory card to optimise this)
    • hint: use TriggerTrap iPhone app and dongle connected to the E-M5, set E-M5 to Hi Drive mode, set exposure to desired shutter speed (not Bulb as suggested by TriggerTrap), and either use:
      • TriggerTrap “Cable Release” mode and hold iPhone app shutter release down for duration of burst – perhaps the easiest mode to use!
      • TriggerTrap “Timelapse” mode to duration (eg. the minimum of 13secs), and number of photos to desired number, press and release the app button and the app will control shutter release, although, as the camera’s cache is saturated, capture rate declines while the app still keeps pretending photos are being taken at the set rate.
      • works with iPhone 5 as TriggerTrap uses the headphone socket
  • they are amongst the lightest cameras which is handy when mounting on telescopes

First, the super telephoto approach:

  • sturdy tripod
  • super telephoto lens attached to camera of choice, lock the focus and change to manual focus
  • aim to compose image aesthetically in relation to horizon subjects
  • if you are lucky enough to have a few small clouds around, time it so the cloud is covering the moon and not Jupiter to better balance the contrast in brightness
  • consider 2 types of exposures (but bracket these to get the best for your set up and allow for atmospheric extinction if low altitude as they will be this time):
    • one for Jupiter itself eg. ISO 400, f/8, 1/600th sec
    • one for the Jovian moons and earthshine on the dark part of the moon: eg. ISO 400, f/8, 1 sec
  • don’t forget mirror lockup and use the self-timer to reduce camera shake

The telescope approach:

  • ensure telescope temperature has equilibrated by leaving outside for several hours to reduce poor refractive effects inside the telescope
  • if the telescope is a reflector, ensure it is accurately collimated
  • use an equatorial mount where possible and try to get reasonably accurate polar alignment – given the short exposures, precise alignment is not needed unless you are stacking many images
  • don’t forget to have the battery fully charged to drive the mount
  • decide between:
    •  prime focus (no eyepieces but lower magnification, although can use teleconverters)
    • eyepiece projection (use eyepiece and special eyepiece projection adapter for higher magnification)
    • afocal technique (use eyepiece and camera lens – useful for point and shoot cameras where the lens cannot be removed)
  • ensure focus is precise
  • consider 2 types of exposures (but bracket these to get the best for your set up and allow for atmospheric extinction if low altitude as they will be this time):
    • one for Jupiter itself eg. ISO 1600, f/20, 1/600th sec
    • one for the Jovian moons and earthshine on the dark part of the moon: eg. ISO 1600, f/22, 1 sec
  • don’t forget mirror lockup and use the self-timer to reduce camera shake
  • consider burst shots or video mode to help address issues with poor seeing conditions

Choose a location:

  • this is particularly a problematic issue with this occultation given it occurs so close to the N-W horizon
  • in Melbourne, the disappearance phase occurs when it is 11 deg above the horizon and the reappearance phase occurs when it is only 5 deg above the horizon
  • Perths viewer are much more fortunate here, as it starts at 36 deg above horizon with reappearance at 30 deg above horizon, so they should get far better images that the eastern viewers
  • so those in Melbourne would do best to find an elevated position with a clear view to the NW (the disappearance occurs at azimuth 307 deg (37 deg north of west) while the reappearance occurs at 301 deg (31 deg north of west) )
  • the good news is that light pollution is not such an important factor – it could be done in a suburban backyard if you can see the event without trees, buildings or mountains intervening.
  • determine horizon – given it will be just 5 deg above the horizon for the last phase in Victoria, Victorians may well wish to calculate how far east of a mountain they need to be so it does not hide it:
    • a top of a mountain will hide the horizon, if the viewer is within a certain range dependent upon the relative height of the object (eg. mountain or trees) above the viewer:
      •  ignoring refraction of light issues, the approximate distance in km = 3.57 x square root (height difference in metres)
      • thus for a 100m hill, the viewer should be more than 40 kilometres away if they wish to see the horizon without the hill intervening
      • for a 400m mountain, the viewer should be  more than 70km away
      • the Lerderderg State Park rises to over 500m and is NW of Melbourne and one needs to be 80km away
      • Mt Macedon at 615m height requires the viewer to be more than 90km away unless they can stand on another mountain
  • search for a site on Google maps in topography mode (so you can see heights of hills)  and use a paper triangle cut out to ensure line of site is clear of hills or mountains:
    • using A4 sheet of paper, use its width of 21cm as your East-West base, create a triangle with a north-south side of 15.8cm (for 307deg) and mark on it a 2nd hypotenuse line at the 12.6cm mark for the reapparance at 301 deg (assuming you are in Victoria)
    • hold the triangle with the right angle corner in your left hand, holding the base parallel with your screen, and the right side apex on your location.
    • the hypotenuse will then be your line of site to the occultation
    • for other locations with different azimuth readings, use N-S paper measure = E-W paper measure x tan (azimuth-270deg)
    • your selected site should also be able to be easily accessible with a telescope and on public land, and have no trees to the north west
  • lastly, the location should preferably be out of the prevailing wind on the night – in Victoria, this is usually south-westerly but may be westerly or north-westerly and occasionally south-easterly or easterly
  • potential locations near Melbourne include Mt Dandenong, Mt Macedon, south-west of Geelong, north-east of Ballarat, areas north of the Great Dividing Range.

 Then you need the weather to be kind:

  • thick cloud will obliterate your chances, as will any significant cloud on the horizon which does take a long time to move out of your way
  • strong winds will play havoc with your ability to keep the set up still
  • as it is summer, a hot day could really affect your telescope’s seeing if it is left in the hot car so give it plenty of time to equilibrate with the night air
  • seeing is likely to be poor at such low altitudes – unless you are in Western Australia, good details on the planet Jupiter will be hard to capture, you may just have to accept the outline of it’s bands.

If you plan well, practice and are lucky with the weather, you may be able to capture an image similar to this grazing occultation I took using a Canon S30 point and shoot camera through a 10″ Newtonian in 2005:

 

Jupiter

see also my wiki page on photographing occultations which also has links to data and maps for this occultation

BONUS: 2 fairly bright comets to photograph!

You may as well tackle 2 fairly bright comets if the conditions are good, you are away from light pollution and can piggyback your camera on a motor-driven equatorial mount telescope:

  • comet C/2012 F6 Lemmon
  • comet C/2011 L4 (PANSTARRS)

Appendix – examples of Olympus E-M5 for Jupiter:

  • Olympus ZD 50-200mm f/2.8-3.5 lens with EC-20 2x teleconverter:
    • Jupiter measures only 25 pixel diameter at effective focal length in 35mm terms of 800mm f/7; tripod exposure for Jovian moons at 20deg altitude: ISO 800, f/7, 1/4sec
  • Canon FD 500mm f/8 mirror lens:
    • Jupiter measures 30 pixels; exposure for Jovian moons ISO 800, f/8, 1/4-1/8th sec; For Jupiter’s bands: 1/200th sec;
  • Maksutov 500mm f/5.6 telescope with Olympus EC-20 2x teleconverter tripod mounted:
    • Jupiter measures 75 pixels; exposure with Jupiter at 30deg altitude: ISO 800, f/11, 1/4sec for the Jovian moons (the longest without substantial star trailing effect at eq. 2000mm focal length and can use IS set at 1000mm focal length)
  • 10″ f/5.6 Newtonian prime focus plus Olympus EC-20 2x teleconverter:
    • Jupiter measures 145pixel diameter; exposure ISO 1600, 1/200th sec at effective focal length in 35mm terms of 3625mm f/14
  • 10″ f/5.6 Newtonian afocal method using Olympus mZD 45mm f/1.8 lens with 25mm eyepiece:
    • Jupiter measures ~125pixel diameter; exposure ISO 1600, 1/300th sec at effective focal length in 35mm terms of 3125mm f/12
  • 10″ f/5.6 Newtonian afocal method using Olympus mZD 75mm f/1.8 lens with a 25mm eyepiece:
    • Jupiter measures ~215pixel diameter; exposure ISO 1600, 1/100th sec at effective focal length in 35mm terms of 5375mm f/21
    • this is probably the best compromise however resolution is still very highly dependent on timing of the shot in relation to the rapidly changing seeing conditions
    • sequential shooting highly recommended to allow selection of the sharpest images
  • 10″ f/5.6 Newtonian afocal method using Olympus mZD 75mm f/1.8 lens with a 25mm eyepiece plus 2x Barlow lens:
    • Jupiter measures 430pixel diameter; exposure ISO 3200, 1/60th sec at effective focal length in 35mm terms of 10750mm f/42

Don’t forget, this event will be at about 5deg from horizon for Eastern states, so you need to adjust your exposure to allow for about 2 stops of atmospheric light extinction!

Photographing the Australian Open Tennis and dealing with the pros and cons of the Olympus E-M5 Micro Four Thirds camera

Sunday, January 20th, 2013

This week I had the good fortunate to have a day off from work so I could buy a ticket for the HiSense Arena at the Australian Open Tennis and as usual I take opportunities like this to test out my camera gear and hopefully get some shots that portray the ambience of the occasion.

If you have read my blog posts or wikipedia articles on mirrorless cameras which includes Micro Four Thirds cameras such as the wonderful Olympus OM-D E-M5 camera, you will quickly realise I keep repeating that as good as they are, they do NOT autofocus on fast moving subjects and do NOT do AF tracking of a moving subject as well as a dSLR camera with true phase detect AF systems.

So why am I taking such a camera to a sports event?

There are many great reasons why an E-M5 camera is better than a dSLR for the tennis:

  • the camera and its lenses are nice and small so carrying it around is not a big issue and it does not become intrusive and obstruct your fellow spectator’s view
  • the higher sensor pixel density gives it the best telephoto reach for focal length which is important given they do not allow focal length more than 200mm into the event (such lenses are only allowed by accredited pro photographers who pay for that privilege)
  • the absence of a mirror means that it is much less noisy and this is a major issue during play when the crowd is silent and firing off a barage of shots in burst mode can really annoy those nearby
  • it can shoot at 9fps (albeit without sensor-based IS or continuous AF)
  • it gives great image up to ISO 800-1600 as long as your exposure is nearly correct with a wide dynamic range which is often needed at the tennis
  • it has the best image stabilisation available (just not in 9fps burst mode)
  • it looks cool  – and the tennis is really as much a fashion event as a sports event!

Now for the issues and how I managed them or would like to manage them:

  • no phase detect AF for moving subjects – you just have to deal with this like all photographers did prior to 1990 or so – pre-focus while they are stationery, half-press shutter to lock focus, wait until the action starts.
  • no pinpoint AF – this was a substantial problem. Even using only the small centre square place entirely over the tennis players body while relatively stationary, the camera’s AF algorithms somehow decides to ignore the subject if there is a lack of contrast of the clothing or skin and instead AF on more contrasty adjacent backgrounds such as letters on advertising hoardings. PLEASE Mr Olympus, add pinpoint AF! My method to get around this was to AF on their shoes so there is no distant background to confuse the system, keep the shutter half-pressed for AF lock, then recompose, and in 9fps, the focus is deactivated for subsequent shots in that burst.
  • shutter lag – there is a tiny but noticeable degree of shutter lag, one just needs to anticipate this and start shooting a touch before you want the shot.
  • long telephoto wide aperture lens selection – the only long telephoto I have for Micro Four Thirds is my very handy Panasonic 14-140mm HD OIS lens which was great when the light was bright but at f/5.8 at 140mm, one has to crank the ISO up too high when heavy clouds come over or they close the roof and use the lights. A better option would be the promised Panasonic 150mm f/2.8 lens which would allow 4 times as much light in and thus allow 2 stops lower ISO to be used. Hopefully someone will also make a 100-200mm f/2.8 lens which would be awesome indeed for the tennis!
  • image stabilisation in 9fps burst mode – although the E-M5 cannot do IS during 9fps shots, this is generally not a great issue given that you will need to be shooting at 1/500th or faster to freeze the action anyway. However, to get around this, if you have a Panasonic lens with OIS, turn the lens OIS on and turn the E-M5 IS off, and you will get OIS even at 9fps!!! Very cool indeed … here’s hoping the Panasonic 150mm f/2.8 lens has OIS!
  • camera settings – S-AF, RAW+jpeg, 9fps burst rate, AWB, vivid picture style for faster AF, OIS on, IS off, autoISO with limit at 1600, Shutter priority with shutter at ~1/500th sec.

So let’s look at what can be achieved with the Panasonic 14-140mm lens at 140mm in the stadium – all these have been cropped about 30-50%:

13th seed Serbian player, Ana Ivanovic serving it up to fellow Serbian, Jelena Jankovic:

Ana Ivanovic serving it up

Ana Ivanovic powering her way through:

Ana Ivanovic in full flight

The joy of hitting a winning shot, but then Ana looked like she was enjoying the whole game – her wonderful smile was always there!

Ana Ivanovic - the joy of hitting a winning shot

Ana Ivanovic pumped up after finishing off a winning set:

Ana Ivanovic pumped up as she powers her way over fellow Serbian Jelena Jankovic

When you need a break from the stadium, it is time to swap lenses to the awesome Olympus 75mm f/1.8 and go for a walk to the other courts where you can get closer to the action and shoot some iconic shots on the way:

Note, I turned off the burst rate when on these courts close to the action as I didn’t want to distract the players with noise – even though the E-M5 is very quiet it is audible at 9fps – although perhaps the players would not notice it from 5-10m away.

Belgian player, Yanina Wickmayer:

Belgian player, Yanina Wickmayer in a doubles event

Serbian player, Bojana Jovanovski:

Serbian Bojana Jovanovski in a doubles event

Thought this promo girl was from Skin Cancer Australia stand advising that tanning is not healthy – it gives old guys heart attacks, or at least the poor guy inside this promotional Wilson tennis ball:

cheeky hands

But not everyone attending the tennis wore skimpy shorts:

not everyone wears skimpy shorts

On the way back to the trains at Federation Square, a chap in overalls was chillaxing in the late afternoon sun watching the tennis on the big screen Melbourne style:

Chillaxing in Fed Square watching the tennis

Hopefully these tips have been useful, cheers.

 

Best cameras of 2012

Tuesday, January 1st, 2013

Best cameras for 2012 depends upon what purpose the camera is needed for.

Nevertheless, a poll of 14,807 readers on dpreview.com gave the following:

Olympus OM-D EM-5 23.3% (3457 votes)
Nikon D800/E 22.1% (3273 votes)
Canon EOS 5D Mark III 14.4% (2133 votes)
Nikon D600 7.8% (1156 votes)
Sony Cyber-shot RX100 7.1% (1056 votes)
Fujifilm X-Pro 1 6.2% (914 votes)
Sony Cyber-shot RX1 5.6% (831 votes)
Sony Alpha SLT-A99 4.2% (617 votes)
Pentax K-30 3.3% (485 votes)
Panasonic Lumix DMC-GH3 2.2% (328 votes)
Canon EOS 650D / Rebel T4i 1.8% (266 votes)
Sony Alpha SLT-A57 1.2% (172 votes)
Olympus PEN-Lite E-PL5 .5% (79 votes)
Olympus Stylus XZ-2 iHS .3% (40 votes)

This list would certainly be a good starting point for those looking to buy a new camera as it does list the most important cameras of 2012.

If one wants a high image quality, compact, versatile, interchangeable lens camera, then Micro Four Thirds system is probably the best for most people and these are represented here by the Olympus E-M5, Olympus E-PL5 and the Panasonic GH-3 – the latter having the best video quality and features of all the listed cameras.

If one does not care about interchangeable lenses and just wants good image quality and compact camera size, then the Sony RX100 and RX1 along with the Olympus Stylus X-Z2 should be high on your list – see dpreview’s roundup of best compact digital cameras for enthusiasts.

If you want a digital SLR, then the full frame cameras are the way to go if you can afford them – the Nikon D800 and its cheaper version, the Nikon D600, the Canon 5D Mark III, or perhaps the Sony Alpha SLT-A99.

Wish you all a Happy New Year for 2013.

More outdoor portraits with the brilliant Olympus 75mm f/1.8 lens at f/2.5 this time

Sunday, November 4th, 2012

Olympus released the Olympus 75mm f/1.8 lens for Micro Four Thirds cameras in the middle of this year and I am now a proud owner of said lens.

The previous post showed some of the imagery I managed to get with this brilliant lens when I decided to join the thousands of zombies and photographer’s at this year’s Zombie Shuffle in Melbourne – a great fun family event with a fantastic vibe and best of all for photographers, plenty of great portrait opportunities with some fantastic makeup and costumes and their owners very willing to pose for you.

In this post I have added a few more of people attending a “color” meet up who graciously agreed to pose for me as well as another from the Zombie shuffle.

Check out the incredible sharpness and lovely bokeh of the blurred backgrounds of these shots taken at f/2.5 (the first image though was at f/1.8)!

These have had minimal post-processing in Lightroom with some vignetting added to a few.

another zombie

A young lady enjoying the opportunity to dress up (this has been cropped ~40%):

girl with hat

Flower power couple:

flower power

Lady in a bird cage:

bird cage

Outdoor portraits with the Olympus 75mm f/1.8 lens – Melbourne’s Zombie Shuffle, bokeh heaven!

Tuesday, October 30th, 2012

Olympus released the Olympus 75mm f/1.8 lens for Micro Four Thirds cameras in the middle of this year and I am now a proud owner of said lens.

I decided to join the thousands of zombies and photographer’s at this year’s Zombie Shuffle in Melbourne – a great fun family event with a fantastic vibe and best of all for photographers, plenty of great portrait opportunities with some fantastic makeup and costumes and their owners very willing to pose for you.

The 75mm lens is not the ideal lens for use within a crowd
, particularly when they start moving – the long focal length and lack of room to get distance from your subject combined with the very narrow depth of field, makes accurate autofocus very challenging indeed.

Nevertheless, I wanted to test out the 75mm lens to find out how to use it best.

It was a bright sunny day, but fortunately, I could choose to shoot mainly under the shade of the big elm trees and thus could shoot at f/1.8 without having to resort to using polarising filters or ND filters. When I did go into the sun, I just switched the exposure mode dial to Shutter Priority to avoid over-exposure which would otherwise occur in Aperture Priority mode set at f/1.8. The Shutter Priority mode was set to shutter speed of 1/4000th sec (so it would give the the largest aperture possible), and ISO set to auto ISO with high level of ISO 800 (in case I moved back into the shade).

When taking portraits with the E-M5 with eye detect AF mode ON, it is important to give the camera that extra split second to detect the face and the closest eye, otherwise you will end up with AF on the default AF region (for me that is the central square, and thus not always what I am wanting).

This AF technique gives you wonderful opportunities to get sharp eyes no matter where they are in the frame without having to recompose – BUT, the short lag in acquiring the face detection may mean a trigger happy finger gets out of focus shots or you may miss a critical moment – that’s a compromise but a reasonable one.

An issue with face detect AF in a Zombie shuffle is that it does not always detect faces with extreme makeovers.

Finally, the E-M5 is not great at subject tracking of subjects moving towards the camera as Zombies tend to do!

The solution when using a lens with very narrow depth of field such as the 75mm lens – just wait for them to stop then get the shot.

Check out the incredible sharpness and lovely bokeh of the blurred backgrounds of these shots taken at f/1.8!

These have had minimal post-processing in Lightroom with some vignetting added to a few.

zip it up!

A beautiful zombie who met a sad end:

zombie girl

A backlit bride:

zombie bride

and a couple more:

zombie 1

zombie 2

The Olympus mZD 75mm f/1.8 lens in action

Friday, October 26th, 2012

Olympus released the Olympus 75mm f/1.8 lens for Micro Four Thirds cameras in the middle of this year and I am now a proud owner of said lens.

This is a lens that suits my style of photography and will now replace my heavy Canon 1D Mark III pro dSLR with Canon 135mm f/2.0L lens as it gives a similar imagery when that lens is used at about f/2.8 which is my usual aperture for 3/4 body shots but is sharper, and more importantly is image stabilsied on the Olympus E-M5 camera so that I don’t have to get too worried about camera shake at flash sync when using fill-in flash which was always an issue with the Canon.

Even better, the E-M5 will allow rapid autofocus on the subject’s closest eye wherever it is within the frame, and rarely do I place the subject’s eye in the central third where the AF sensors are in dSLRs.

The fast AF makes my lovely, but manual focus Rokinon 85mm f/1.4 lens redundant.

This is a fantastic combination and made even better given the price, weight, size and the lovely bokeh.

Here are a couple of quick shots I took on an annoyingly sunny day in a forest which gives lots of contrasty imagery and very busy backgrounds, yet the 75mm f/1.8 handled this with ease.

forest bokeh

forest wild flowers in Victoria, Australia in Spring:

wild flowers

and despite a field of view of a 150mm lens, the following shot taken without care was reasonably sharp even at 1/20th sec hand held!

wild flowers

more shots with the 75mm lens on my Flickr set here