{"id":5773,"date":"2012-09-18T00:14:34","date_gmt":"2012-09-17T14:14:34","guid":{"rendered":"http:\/\/www.ayton.id.au\/wp02\/?p=5773"},"modified":"2012-09-18T00:46:39","modified_gmt":"2012-09-17T14:46:39","slug":"olympus-announce-2-new-compact-pen-micro-four-thirds-cameras-bringing-e-m5-image-quality-to-the-masses","status":"publish","type":"post","link":"https:\/\/www.ayton.id.au\/wp02\/?p=5773","title":{"rendered":"Olympus announce 2 new compact PEN Micro Four Thirds cameras bringing E-M5 image quality to the masses"},"content":{"rendered":"<p>Olympus appear to have consolidated their 3 model PEN <a href=\"http:\/\/www.ayton.id.au\/wiki\/doku.php?id=photo:microfourthirds\" target=\"_blank\">Micro Four Thirds camera range<\/a> into 2 models as expected.<\/p>\n<p>There is no upgrade to the E-P3, but instead the E-PL3 upgrade, the new Olympus E-PL5 (PEN Lite) gains some of the features of both the E-P3, the <a href=\"http:\/\/www.ayton.id.au\/wiki\/doku.php?id=photo:olympusomdem5\" target=\"_blank\">E-M5<\/a> and a few new tricks as well.<\/p>\n<p>The &#8220;point and shoot&#8221; model, the E-PM2 is a very handy upgrade of the E-PM1 or PEN Mini.<\/p>\n<h3>So what is so exciting about these cameras?<\/h3>\n<ol>\n<li>They bring the <strong>fantastic image quality<\/strong> of the <a href=\"http:\/\/www.ayton.id.au\/wiki\/doku.php?id=photo:olympusomdem5\" target=\"_blank\">Olympus OM-D E-M5<\/a> to a smaller, lighter, cheaper camera which will suit the needs of a much wider audience. They both use the same 16mp sensor and image engine as the E-M5 and allow ISO 200-25,600, although best results will be ISO 1600 and lower.<\/li>\n<li>They both sport<strong> touch screen interfaces<\/strong> which makes their use much easier for novices and enthusiasts alike, and allow you to select a focus point on screen &#8211; even changing it during movie mode<\/li>\n<li>They have the the<strong> FAST AF of the E-M5<\/strong> which is one of the fastest autofoicus systems in any camera (as long as the subject is not moving fast)<\/li>\n<li>The <strong>E-PL5 touch screen rotates upwards to allow self-portraits<\/strong> &#8211; as long as the screen is not blocked by a hotshoe accessory such as a flash &#8211; so not as good a solution as the articulating, swivel screen as on the Panasonic GH series, but better than none at all.<\/li>\n<li>They both have <strong>sensor based image stabilisation<\/strong> as with their predecessors, but not the 5-axis version as on the E-M5, and it is not clear if this will work during movie mode as it does on the E-M5.<\/li>\n<li>For the <strong>smallest kit<\/strong>, you can buy the new cheap, super slim 15mm f\/8 manual focus &#8220;Body Cap&#8221; lens &#8211; fantastic for carrying these cameras in a pocket.<\/li>\n<li>They have <strong>remote TTL flash capability<\/strong> to allow remote flashes to be controlled by the master flash on the camera&#8217;s hotshoe such as the FL-LM1 which is supplied with the E-PL5<\/li>\n<li><strong>Flash sync is an industry leading 1\/250th sec<\/strong> with the latest flash units, and they support <strong>Super FP High Speed Sync flash<\/strong> to 1\/4000th sec.<\/li>\n<li>They are <strong>able to use the best range of dedicated compact autofocus lenses available<\/strong> for any mirrorless system and are smaller and lighter than comparable lenses for dSLRs.<\/li>\n<li>The E-PL5 can shoot at <strong>8fps<\/strong> (without AF) or 3.5fps with AF<\/li>\n<li>Unlike most dSLRs, the <strong>AF regions cover almost the entire image<\/strong> not just the central half or third, and as mentioned can be easily selected using the touch screen<\/li>\n<li>They can accept hotshoe accessories such as <strong>electronic viewfinders<\/strong> &#8211; this means when the next quantum leap in EVF quality occurs it may be possible to use these as well<\/li>\n<li><strong>Auto HDR mode<\/strong> which automatically combines multiple shots at different expsoures &#8211; the 1st time in an Olympus camera<\/li>\n<li>New <strong>Watercolor ART filter<\/strong> in addition to the ones on earlier models, plus the ART filter can be changed DURING movies and the change will be introduced gradually<\/li>\n<li><strong>Reasonably good 1080i HD video<\/strong> with stereo mics and a new Movie Teleconverter capability<\/li>\n<li>The E-PL5 has <strong>support for Toshiba&#8217;s FlashAir WiFi-capable flash cards<\/strong> and an Android or iOS app will allow sharing of photos via smartphone<\/li>\n<li><strong>Timed long exposures of up to 60secs<\/strong> &#8211; very few cameras have this feature which is nice for photographing stars<\/li>\n<li>The very effective <strong>Olympus sensor dust removal system<\/strong> and <strong>lovely Olympus jpeg image colours<\/strong><\/li>\n<li>They <strong>look great<\/strong> and the <strong>optional front grip<\/strong> for the E-PL5 is a nice touch too.<\/li>\n<li>New Lens IS priority option which allows you to automatically disable the sensor-based IS if a Panasonic lens with OIS is being used<\/li>\n<\/ol>\n<h3>What is not so good about them?<\/h3>\n<ul>\n<li><strong>no built-in viewfinder<\/strong> means you must use the touch screen or buy the optional EVF, but then you cannot use flash as it occupies the hotshoe<\/li>\n<li><strong>no built-in flash<\/strong> &#8211; but the E-PL5 is at least bundled with a small plug in flash<\/li>\n<li><strong>user interface is not great for enthusiasts<\/strong> wanting to take control of the camera fully themselves &#8211; this is particularly the case with the E-PM2 while the E-PL5 has the additional function button and drive mode dial, but at least both have the nice Super Control Panel which allows functions to be accessible via the touch screen<\/li>\n<li>as with all current <a href=\"http:\/\/www.ayton.id.au\/wiki\/doku.php?id=photo:mirrorless\" target=\"_blank\">mirrorless cameras<\/a>, <strong>autofocus will be slow or not possible on fast moving subjects<\/strong> &#8211; I expect this to be addressed on new cameras in the next 2-3 years as it is one of Olympus&#8217; R&amp;D priorities<\/li>\n<li><strong>20Mbps HD video quality is not up there with the latest high end cameras<\/strong> such as the Panasonic GH-3, and only supports 30fps (no 60fps nor 24fps)<\/li>\n<li>they are <strong>not weatherproof<\/strong><\/li>\n<\/ul>\n<p>These are important upgrades to the PEN system as image quality is one of the main reasons the E-M5 is so popular and now this same quality is available in the lower end cameras and that is brilliant indeed!<\/p>\n<p>One could get this image quality and camera size with a <a href=\"http:\/\/www.ayton.id.au\/wiki\/doku.php?id=photo:sonynex\" target=\"_blank\">Sony NEX<\/a> &#8211; but you won&#8217;t get the in-camera image stabilisation system which works on any lens, and you won&#8217;t have access to the fantastic compact, lightweight range of dedicated autofocus lenses that is available for Micro Four Thirds, nor the ability to create a system with the best hybrid video cameras such as the Panasonic GH-3, not upgrade to one of the most versatile, fun compact cameras, the brilliant, <a href=\"http:\/\/www.ayton.id.au\/wiki\/doku.php?id=photo:olympusomdem5\" target=\"_blank\">Olympus OM-D E-M5<\/a>.<\/p>\n<p>These cameras would be fantastic with the compact <a href=\"http:\/\/www.ayton.id.au\/wiki\/doku.php?id=photo:microfourthirdslenses\" target=\"_blank\">Micro Four Thirds lenses<\/a> such as the<a href=\"http:\/\/www.ayton.id.au\/wiki\/doku.php?id=photo:pan20mm\" target=\"_blank\"> Panasonic 20mm f\/1.7 pancake<\/a> or the <a href=\"http:\/\/www.ayton.id.au\/wiki\/doku.php?id=photo:olympusmzd45mm\" target=\"_blank\">Olympus 45mm f\/1.8 portrait lens<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Olympus appear to have consolidated their 3 model PEN Micro Four Thirds camera range into 2 models as expected. There is no upgrade to the E-P3, but instead the E-PL3 upgrade, the new Olympus E-PL5 (PEN Lite) gains some of the features of both the E-P3, the E-M5 and a few new tricks as well. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,3],"tags":[18,241,14],"class_list":["post-5773","post","type-post","status-publish","format-standard","hentry","category-cameras","category-photography","tag-four-thirds-micro","tag-micro-four-thirds","tag-olympus"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.ayton.id.au\/wp02\/wp-json\/wp\/v2\/posts\/5773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ayton.id.au\/wp02\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ayton.id.au\/wp02\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ayton.id.au\/wp02\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ayton.id.au\/wp02\/wp-json\/wp\/v2\/comments?post=5773"}],"version-history":[{"count":0,"href":"https:\/\/www.ayton.id.au\/wp02\/wp-json\/wp\/v2\/posts\/5773\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ayton.id.au\/wp02\/wp-json\/wp\/v2\/media?parent=5773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ayton.id.au\/wp02\/wp-json\/wp\/v2\/categories?post=5773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ayton.id.au\/wp02\/wp-json\/wp\/v2\/tags?post=5773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}