Canon announces new Cine video camera system including 2 very expensive EOS dSLR cine cameras and a series of Cine lenses

Written by Gary on November 4th, 2011

The anticipated announcement from Canon today has revealed a new pro Cine video camera system based around their EOS system, but with also a camera designed to take PL Cine lenses, the EOS C300 PL.

1st the two new video cameras:

Canon EOS C300 Digital Cinema Camera

  • two versions – EF lens mount and PL lens mount with expected list price of $US20,000 for body only.
  • 8.3MP Super 35mm sized CMOS sensor with automatic vignetting correction for recognised lenses
  • max. recording rate 50Mbps using MPEG2 1080p full HD video via industry-standard MXF (Material eXchange Format) audio and video file formats
  • frame rates of 59.41i, 50.00i, 29.97P, 25.00P and 23.98P (plus 24.00p in the PL camera)

4K Canon EOS dSLR in design stage

  • 35 mm full-frame CMOS sensor in a traditional dSLR camera body
  • 4K video (cropped to APS-H size) at 24P, with Motion-JPEG compression

EF Cine lenses:

  • CN-E14.5-60mm T2.6 L S
  • CN-E30-300mm T2.95-3.7 L S
  • CN-E24mm T1.5 L F
  • CN-E50mm T1.3 L F
  • CN-E85mm T1.3 L F

 

EF Cinema Zoom Lens_CN-E14.5-60mm T2.6 L S_EF Mount

 

Canon announces their new flagship pro dSLR – the full frame 12fps 18mp Canon 1D X

Written by Gary on October 18th, 2011

Dpreview.com reports the announcement and as was expected by many, Canon has merged their 2 pro dSLR formats into 1 pro dSLR.

Up until now, Canon had their 1.3x crop APS-H sensor format sports dSLR with fast burst rates up to 10fps – the 1D series, and a full frame higher megapixel dSLR with average burst rates of 5fps – the 1Ds series.

With the improvement in computing speeds and technology, Canon have been able to combine these two approaches to give the best of both worlds albeit at a minor reduction in pixel count.

This will simplify their product line and perhaps please most professionals as one camera can do all, plus, potentially offer the most versatile video dSLR in the industry to boot. They may not be happy with Canon moving their controls around yet again, nor the fact that Sony dSLRs will sport significantly higher pixel counts, but then pixel counts are not really important any more.

Sports shooters may be upset that they will have less telephoto reach compared to the 1D Mark IV, and perhaps worse, it seems they lose an f/8 capable autofocus point which means they will no longer be able to AF with a 2x teleconverter on an f/4 lens.

The main headline features of the new Canon EOS 1D X include:

  • 18mp full frame sensor with larger photosites than in either the 1D Mark IV or the 5D Mark II
  • 12fps burst rate (14fps with mirror lock up in jpeg only mode)
  • Dual DIGIC 5+ image processors capable of delivering approximately 17 times more processing speed than DIGIC 4
  • dedicated DIGIC 4 processor for metering and AF
  • face detection for metering and phase detect AF (all previous face detect AF used contrast-detect AF in LiveView mode only)
  • 100,000 pixel metering sensor in 252 general zones or 35 low light zones
  • new EOS iTR (Intelligent Tracking and Recognition) AF
  • new 61-Point High Density Reticular AF with centre 5 being diagonal cross type for lenses f/2.8 or wider, the others have horizontal only detection for lenses f/5.6 or wider
  • the complexities of AF settings is now assisted with an inbuilt Feature Guide which suggests which AF settings for each subject type
  • new generation sensor cleaning system
  • lower image noise and higher ISO capability (ISO 100-51,200 in standard and up to 204,800 in H2)
  • 1080 HD video in 24/25/30p and 720HD video in 50/60p, with options for either intraframe (ALL-i ) compression for an editing-friendly format and interframe (IPB) compression for superior data compression.
  • two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run
  • manual audio level control at last
  • internal mono mic or external stereo mic port
  • continuous video recording up to 29min 59sec with automatic creation of 4Gb files which can be later stitched.
  • dual CF card slots
  • 400,000 cycle shutter
  • electronic first curtain shutter to reduce vibrations – a new feature for the 1D cameras
  • built-in LAN connection
  • optional WiFi and GPS modules
  • RRP $US6800 body only expected to be available in March 2012

Of course, this does not mean we won’t see a 28+ mpixel 1Ds full frame in 2012 to replace the aging 1Ds Mark III.

Canon have detailed article on the new features – see here.

 

Thailand floods severely impact production of Sony and Nikon cameras including the NEX-7

Written by Gary on October 18th, 2011

The flooding of some of Thailand’s industrial estates has severely impacted production of Sony cameras including their new NEX-7, SLT-A77 and SLT-A65, and Nikon consumer level dSLRs and lenses. This will significantly delay the new Sony cameras being available.

Canon inkjet printers are also manufactured in these estates and their production has also been halted.

 

Just when the future was looking bright, trouble looms at Olympus

Written by Gary on October 18th, 2011

This report in the NY Times of their British executive being forced out because he was questioning 3 very dubious financial decisions made by the Olympus chairman, Tsuyoshi Kikukawa without board approval, including:

  • $687m paid to two financial advisers over the acquisition of a British medical technology company Gyrus in 2008 which represents over a third of the sale price – one of the advisers, AXAM Investments in the Cayman Islands, was removed from the Cayman local business registry last year for nonpayment of license fees
  • the acquisition of three companies — including a maker of facial creams and Tupperware-like plastic cases for use in microwave ovens — in 2008 for $773 million. Later that fiscal year $586 million of their value was written off!

These do seem very strange and it is suggested that they represent a loss of $1.3b in shareholder value as a result of these alleged improper transactions.

The stockmarket has reacted savagely, with the Olympus market capitalisation falling $3b in just two sessions, dropping 18% on Friday then 22% yesterday.

Whatever is going on does not look good and perhaps paves the way for Panasonic to buy out the imaging division and leave Olympus with its medical division as has been rumoured some months ago.

Olympus needs to address this quickly and restore faith in the company.

 

Apple iOS 5 for iPhone, iPad and iPods – why you should upgrade

Written by Gary on October 16th, 2011

Upgrading to iOS 5 seems a no brainer – it is free, and generally upgrades without issue as long as you have a few hours up your sleave and don’t do it when it is first released when the servers are over-loaded.

BEFORE you upgrade, make sure you update iTunes to version 10.5 then backup your device to your computer using iTunes and doing the sync will transfer apps to the computer.

If you have encrypted your backup, make sure you know your password for the backup.

Make sure you know your AppleID email account and AppleID password.

 

No. 1 reason to upgrade: iCloud

My biggest beef with Apple until now has been that you MUST sync and backup your device to ONLY ONE computer and without physical access to THAT computer and user logon, you are NOT able to sync or backup your device.

iCloud potentially changes this – it essentially creates a copy of your device data, photos, apps, etc on an internet server BASED upon the AppleID account that you set it up with.

Perhaps just as importantly, you no longer need a computer to set up your new device – very handy if you buy one whilst on holidays after your last one was stolen.

Optionally you can elect to use Photostream which sends all your photos taken with the device to iCloud Photostream folder as you take the photos – this might be handy if you take holiday snaps with your iPhone and it gets stolen before you get to back it up. The Photostream can be synchronised automatically across various devices.

There are a few issues with iCloud:

  • you only get 5Gb data storage for free – if your device stores more than this, as most do, you may have to pay for more storage, or, disable backup up and sync of part of your data (eg. your videos, music or photos) which defeats the purpose of iCloud.
  • if as a family, you share an AppleID for Apple Store for app purchases, you will need to ensure each family member creates their own AppleID for iCloud and iMessage and configure their devices in Settings to use these AppleIDs instead of the shared Apple Store AppleID – see here for details.
  • given the recent issues with overload of Apple servers when new upgrades are released, will Apple be able to ensure adequate upload/download speeds from their iCloud, particularly during peak activity periods? My experiences in download speed of iTunes updates taking a very long time does not give me confidence that this will work as seemlessly as they suggest.
  • using iCloud for documents seems problematic and of course they are only available for Apple devices, so most people would probably best using a service such as DropBox for their web-based document management rather than using iCloud.

No 2 reason: Notifications

The annoying behaviour of popup screens for notications has now been addressed and you can configure in Settings:Notifications the apps that appear in the Notification Centre which is a pull down screen accessed by downwards touch gesture.

No 3 reason: rapid camera access

The iPhone camera is not bad as a last resort for when you don’t have your camera with you or it is too inconvenient or not appropriate to use.

Until now, you had to unlock your iPhone, tap on the camera icon, wait for the AF to lock on your subject, then tap the screen to take the shot, all of which was time consuming and you may miss the magic moment, and tapping on the screen caused camera shake.

Now with iOS 5 you can double click the home button when the screen is still locked, and a camera icon will display, just tap it to open the camera,zoom using finger gestures (which also activates a zoom slider control), wait for AF to lock, then use the VOLUME button to take the photo in a similar way to a camera shutter release button.

Much nicer interface.

No 4 reason – improved Safari web browser

I have never been a fan of Safari on the iPad or iPhone with its many frustrations and limitations.

iOS 5 at least improves Safari on the iPad by adding tabbed pages (not available on iPhone though), and removes ads while giving better performance.

No 5 reason – improved email reader

Again, the iPad and iPhone email functionality has not been brilliant compared to Outlook, but it gets some improvements with iOS 5 including:

  • ability to format text with bold, italics, etc
  • ability to flag important messages
  • ability to add or delete mailboxes
  • search now also can search the body of emails
  • a free iCloud email account if you wish

No 6 reason – improved calendars

I was not impressed with the iOS 4 calendars and used a 3rd party app (Saisuke) to sync my Google calendars.

iOS 5 has improved the calendar functionality by adding:

  • ability to share calendars with family and friends via iCloud but only if they use iOS5 – so just use Google calendar and ignore the Apple proprietary nonsense
  • a few minor editing and reading improvements
  • I can’t see the improvements justifying me changing from Saisuke and Google

Other reasons – all the other little niceties or gimmicks

  • optional automatic sync/backup to PC over WiFi when device plugged in to power supply to recharge overnight
  • iMessage – send messages via internet to other iOS 5 users, and if not possible, default to SMS text service. You can do this now using 3rd party apps such as Skype, WhatsApp, etc and your target device does not need iOS 5 installed, just the app.
  • Newstand – just a folder to encourage you to spend more money on publication apps, but it may be useful to some.
  • Reminders – a To Do task list but perhaps not as useful as it is made out to be as the location services is not as flexible as one would like. There are 3rd party apps that do this better, but I am not a fan of such lists.
  • Twitter integration – for twits to make it easier to rapidly publish messages to the world without thinking of their ramifications.
  • dual thumb typing interface for iPad users – does anyone really like typing on these devices?
  • multitouch gestures for iPad2 only
  • AirPlay mirroring for streaming HDTV over WiFi to an Apple TV from iPad2 or iPhone 4S only
  • Siri voice commands – iPhone 4S only, and only really useful within the US it seems
  • Find Your Friends app – a double edged sword, may be great for travellers with internet access from their devices, or perhaps for meetings, but runs considerable risks of 3rd parties tracking you when you want your privacy – of course, you can disable it if you remember it is on. Requires iCloud account.
 

Mirrorless camera systems – my dream kit

Written by Gary on October 11th, 2011

The mirrorless interchangable lens camera systems are the future for most people wanting high quality images in a relatively compact kit.

Finally Nikon has entered the scene but their 2.7x crop sensor to me is just too small to get the imagery I like.

Sony and Samsung with their 1.5x/1.6x crop sensor has marginally better image than Micro Four Thirds 2x crop sensor cameras but have a BIG problem of always having to use larger and heavier lenses because they need to cover a larger image circle, and this makes their camerasless ergonomic to hold, and the kit too large and heavy.

To me, the 2x crop sensor size used by Micro Four Thirds and probably also by Canon, if rumours are correct, is the best compromise on image quality and camera/lens size and ergonomics.

It will be fascinating to see what Canon brings to the table, and I will certainly be looking forward to it given that I own a Canon 1D Mark III and quite a few pro level Canon lenses.

In the meanwhile, we have to look at what is available and to me the first is to consider the lenses.

Of course, most point and shooters will be very happy using the kit lenses but compact cameras such as these really shine when used with wide aperture small prime  lenses which means you can get the low light performance you need, ability to blur the background beautifully, and to shoot at low ISO values where image noise is not an issue.

My dream Micro Four Thirds lenses:

  • Olympus m.Zuiko 12mm f/2.0 – a superb lens albeit not cheap, but has great manual focus capability and provides a nice 24mm field of view in full frame terms while f/2.0 means available light even indoors is possible at ISO 400. It is also optimised for HD video and thus has silent AF which is very fast on the new bodies.
  • Panasonic Leica DG 25mm f/1.4 – another great lens to replace the much larger, heavier, more expensive Four Thirds version which I currently use – this allows lovely environmental portraits in available light at ISO 400 indoors, is superb for art galleries, shooting at dusk as well as being a general purpose “standard” lens. If you can’t afford this lens, then the cheaper, smaller Panasonic 20mm f/1.7 is not a bad compromise although AF is slower and noisier.
  • Olympus m.Zuiko 45mm f/1.8 – a nice “90mm” portrait lens, less expensive than the above 2 lenses but still has near silent HD-optimised fast AF.
  • Rokinon 85mm f/1.4 – a manual focus only lens but relatively cheap (under $300 new) with lovely imagery wide open – it gives almost identical imagery on Micro Four Thirds at f/1.4 as my Canon EF 135mm f/2.0L lens on my Canon 1D Mark III dSLR, but at a fifth the price, and half the weight and size. You will need a cheap adapter for this lens and there is NO auto-focus. See some of my photos here.

My dream Micro Four Thirds camera:

  • I currently own the Panasonic GH-1, but the new generation of Panasonic and Olympus cameras have faster AF as well as a few new features
  • I do not like taking photos by looking at an LCD screen at arm’s length, in general, that is bad photography as it encourages camera shake.
  • I thus will ONLY buy a mirrorless camera with a built-in EVF (eg. Panasonic GH-2 or G3), but I am eagerly awaiting Olympus to bring out a model like their E-P3 or E-PL3 but with 2 features from the new Sony NEX-7 – built-in EVF and peaking functionality to assist manual focus. Why not just buy a Sony NEX7? Their lenses are too big and heavy and they do not have the range of lenses that I would like, and their cameras have an annoying hotshoe (if they have one) while unlike the Olympus cameras, they do not have built-in image stabilisation.
  • Other features that I would dearly love include a faster flash sync as fill-in flash outdoors with wide apertures can really benefit from this.

Supplement my collection of dream lenses with a kit zoom lens, a super tele, a super wide angle and a macro lens and you have a full collection of lenses for nearly any purpose. For fun, you can play with almost any legacy lens ever made, or buy a tilt or shift adapter and play with Nikon full frame lenses for example.

 

Nikon finally enters the mirrorless camera market – but will they be able to compete?

Written by Gary on September 22nd, 2011

Panasonic, Olympus, Sony and Samsung have made significant inroads in the traditional entry-level dSLR market with their brilliant little mirrorless interchangeable lens cameras, led by the Micro Four Thirds 2x crop format.

Nikon today announced their mirrorless camera system  (Nikon 1 System)  and confirmed the long held belief that this would be a much smaller sensor – half the size of Micro Four Thirds and a third the size of the Sony and Samsung sensors – giving a 2.7x crop factor.

Now, given Nikon is a very late entrant, this ploy of an even smaller sensor could just work for them as it differentiates buyers clearly from those wanting the better image quality and ability to blur the background that one gets from larger sensors (such as with their dSLRs or other mirrorless cameras), from those who just want a simple, carry anywhere compact camera.

BUT the only way this would work is if they make the lenses substantially smaller than the Micro Four Thirds so they can be truly pocketable camera kits as this would justify the reduction in image quality for many people.

As Sony has found, it doesn’t matter how small you can make the cameras (as long as they are still big enough to have a nice 3″ LCD screen and be reasonably ergonomic), compact size is dependent largely upon the lens size.

Theoretically, the smaller the sensor, the smaller you can make the lenses.

As Olympus and Panasonic found though, enthusiasts don’t just want small lenses, but high quality lenses with large apertures to make up for the relatively smaller sensor – and they have addressed this issue with their nice collection of fast lenses – 12mm f/2.0, 20mm f/1.7, 25mm f/1.4 and 45mm f/1.8.

If Nikon wish to attract enthusiasts to their new system and not just those who don’t know any better, then they will need to have a range of nice fast lenses such as these and not just technology driven features such as 60fps burst rates, etc which will eventually be available in all the systems soon anyway.

The conundrum Nikon faces though, is why would an enthusiast purchase a range of expensive lenses for such as small sensor camera, when they can do much better buying Micro Four Thirds?

Furthermore, the 2.7x crop factor does not make using existing Nikon dSLR lenses an exciting prospect so it is hard to see existing Nikon dSLR users being overly excited, although the main potential for them is to be able to shoot 60 fps at fixed focus with more telephoto reach which just would not be possible on a Nikon dSLR.

The HD video modes are otherwise not that exciting when compared with what you can do with a Panasonic GH-2 or Sony NEX-7, or even a Nikon dSLR.

The cameras do introduce some very useful features not currently found on other mirrorless cameras, but I would expect the other mirrorless systems to have these features soon, so they won’t be a differentiating factor for long:

  • fast AF, even for moving subjects thanks to dual AF modes including 73 point phase detect AF – I presume the contrast-detect AF would be on a par for speed with the Olympus E-P3/E-PL3 and the Panasonic GH-2/G3/GF3 but these cameras do not have phase contrast AF option.
  • 60 fps full resolution burst rate thanks to the electronic shutter mode but fixed focus, but not many will really want to use 60fps that often
  • 1/250th sec flash sync (V1 only) – but there is no hotshoe, and it is not compatible with Nikon wireless i-TTL so this largely becomes irrelevant.

Now let’s look at the 2 initial Nikon CX cameras.

They both have in common:

  • 10mp 13.2mm x 8.8mm 2.7x crop CMOS sensor
  • Nikon 1 lens mount with an optional Nikon F lens adapter
  • “fast” hybrid autofocus – switchable between phase detection for moving subjects  and contrast-detection AF
  • 135 single contrast-detect AF points, 41 point auto-area AF, subject tracking AF, 73 point phase detect AF
  • ISO 100-3200 (6400 Hi)
  • exposure compensation +/- 3EV
  • spot metering as well as matrix and centre weighted
  • 10-60fps electronic shutter burst rate but with fixed focus only at 60fps
  • SD/SDHC/SDXC memory card compatibility
  • HD video at 1080i 60/30fps or 720p 30/15fps in MOV format using H.264/MPEG-4 compression and AAC audio
  • Slow Motion movies but only at a ridiculously small 640×200 (at 13x slo-mo) or 320x 120 (at 40x slo-mo)
  • Motion Snapshot mode 1080p 60fps capture but plays at 24fps – designed to capture short clips
  • dual core EXPEED 3 image processing engine
  • Neither camera supports Nikon’s wireless i-TTL off-camera flash system
  • front IR remote receiver

A cheaper, more compact, simple Nikon J1 camera:

  • 106mm x 61mm x 30mm body
  • 277g w/o battery
  • 3″ 460K dot fixed LCD screen
  • 1/60th sec flash sync
  • no EVF
  • pretty colors
  • $649 with 3x kit lens

The more serious enthusiasts Nikon V1 camera:

  • 113mm x 76mm x 44mm
  • 294g w/o battery
  • 1.4 million dot EVF with eye detection activation (similar to the Panasonic GH-1/2 cameras)
  • 3″ 920K dot fixed LCD
  • 5fps mechanical shutter burst rate (to 1/4000th sec) with limitations in addition to the electronic shutter
  • magnesium alloy body
  • Multi-Accessory Port for attaching SB-N5 compact flash or GP-N100 GPS module
  • but no hotshoe still
  • infrared receiver ports on the front and back of the camera
  • 3.5mm stereo microphone jack
  • $899 with 3x kit lens

Now the lenses:

1 Nikkor VR 10-30mm F3.5-5.6:

  • 27-81mm eq. range

1 Nikkor VR 30-110mm F3.8-5.6 lens:

  • 81-297mm eq. range

1 Nikkor 10mm F2.8 pancake lens:

  • 27mm eq.

1 Nikkor VR 10-100mm f/4.5-5.6 :

  • 27-270mm 10x power zoom for HD video

My take:

If Nikon make some affordable, super compact, high quality fast primes in the 24-100mm range (in 35mm camera terms) providing a truly pocketable kit, then they might have a system worth buying, but even then, the Micro Four Thirds system easily beats it on image quality and depth of field control, particularly when you factor in that not only do you get double sized sensor, fast aperture lenses, but with Olympus cameras, you get image stabilisation with the fast primes as well thanks to the in-body image stabilisation.

And as a long time photographer, who wants to keep calculating out 2.7x crop factors when using legacy lenses, and why would you bother using this system for legacy lenses when there are much better alternatives, unless you happen to own a range of C-mount lenses.

The small sensor will make it really tough to get adequate depth of field control for those nicely blurred backgrounds which let your portraits pop, for instance, if they bring out a 35mm f1.4 “portrait lens”, it would have the DOF of a 95mm f/3.8 lens on a 35mm camera – usable but limiting.

Still, there will be plenty of buyers coming from point and shoot cameras who this system will appeal to just because it says Nikon on the camera or because the size suits them and the image quality and versatility is not as important, but even then, the price tags seem twice as much as they should be for the intended market.

Nikon needed to really make an impression with enthusiasts in order to get some early buy in, and without introducing this system with a fast aperture lens (such as a 24mm f/2.0 or 90mm f/1.8 equivalent as Olympus now has), all they will get is criticism and negativity from those hoping Nikon would make a useful pocketable camera system.

I am not sure Nikon’s shareholders will be placated by this effort, it may be a matter of too little, too late, and the bus has already left.

I suspect there will be some potential and existing Nikon dSLR buyers who may think twice about owning Nikon as this system may not give them adequate image quality in a compact complimentary kit as a Micro Four Thirds or APS-C sized mirrorless camera would.

Thus those wanting to use dSLR for sports, etc but want a smaller kit for travel are more likely to prefer the following combinations than a Nikon because most Nikon dSLR users are not going to be able to bring themselves down to using a 1″ sensor:

  • Canon dSLR with Canon 2x crop mirrorless (when they come out with it), or in the meanwhile, Micro Four Thirds given the flash are at least compatible in manual mode, and you can get a full AF EOS adapter for Micro Four Thirds from Birger.
  • Sony dSLR with Sony NEX mirrorless
  • Olympus E5 dSLR with Micro Four Thirds

Indeed, we could see a flood of dSLR users moving away from Nikon and back to Canon because of the lack of a suitable mirrorless system to compliment their dSLR kit – assuming of course Canon comes to the party as expected with a 2x crop mirrorless system which will have a sensor twice the size of the Nikon sensor.

Hopefully Nikon is working overtime to create a full frame mirrorless camera to better compliment their dSLRs because I can’t see this 1″ system cutting it.

Why a full frame mirrorless?

Because currently the only one is the super expensive Leica M9 and fanatics and pros insist on the highest image quality, while a mirrorless system creates a lot more possibilities that could compliment a dSLR such as quiet shutter, rapid burst rates, much easier manual focus with legacy lenses especially with tilt-shift lenses, ability to use lenses at their native field of view,  and potential for CD-AF such as eye-detection AF which would make shallow DOF portraits so much easier than with dSLRs.

 

 

Mirrorless cameras overtaking entry-level dSLRs in Asia – how will Canon and Nikon react?

Written by Gary on September 9th, 2011

I bought a Panasonic GH-1 Micro Four Thirds mirrorless camera in 2009 when it first came out because I could see it had many significant advantages over entry-level dSLRs whilst still having adequate image quality.

Panasonic decided very early that their was limited future in the consumer level dSLR and decided to cease production of them and instead, embarked upon developing the revolutionary Micro Four Thirds system and introduced their 1st of these mirrorless cameras in 2008.

Olympus in 2010 re-affirmed this by apparently deciding that the future of entry-level dSLRs is limited and will most likely be replaced by mirrorless cameras, they have not produced a new entry-level dSLR since and instead have concentrated on creating super fast autofocus for their mirrorless Olympus Pen cameras – the E-P3, E-PL3 and their new mini Pen. Olympus have not abandoned the dSLR market but will concentrate on producing mid-level and semi-pro dSLRs.

This year Sony has really progressed their mirrorless offerings with their NEX-7 model just beig announced, although they still offer entry-level dSLRs.

Now the share market investors of Canon and Nikon are becoming concerned as news that mirrorless cameras now account for an unprecedented 40% of the dSLR market in Japan – up from only 5% of sales in 2009!

Global sales of mirrorless cameras are up 500% in 2010 to 2 million units and account for 16% of the global dSLR market, and expected to hit 23% this year.

Sony is expecting sales to reach 13 million units in 3 years.

Canon sold 5.9 million dSLRs in 2010 and has 45% of the dSLR market with Nikon having 30% of the market in 2010.

The brilliant new mirrorless models from Panasonic, Olympus and Sony are sure to change that very soon!

Nikon is expected to announce a 2.5x crop mirrorless system perhaps this year, while Canon seems to be working on a 2x crop system similar in size to Olympus and Panasonic.

Canon and Nikon still have not entered the mirrorless market, even though mirrorless cameras are cannibalising their lucrative, formerly dominant, entry-level dSLR market.

According to this Bloomberg report (from which the above data is derived), last year, Mizuho Securities Equity Research analyst Ryosuke Katsura wrote that the mirrorless technology may be the biggest “paradigm shift” in the SLR industry in six decades.

Thanks to Rob Galbraith for the heads up on this report.

Bottom line – if a Panasonic GH-1 is good enough for me to take on my travels and leave my heavy Canon 1D Mark III home, then it is not surprising to expect mirrorless cameras to subsume the entry-level dSLR market as well as cannibalise the compact camera market.

A further example, this article on macrophotography just posted on dpreview.com shows the author using a Canon dSLR to photograph insects – but he is using it as one would use a mirrorless camera in Live View mode – he would be much better off with a mirrorless camera in the first place for this type of photography.

Canon and Nikon appear to be just playing their usual game – let the innovators spend money on R&D on “fringe technologies” and test the market, and if the new technology works, initially criticise it until they can introduce it into their own cameras.

We have seen this when Olympus introduced the sensor dust removal system, live preview LCD, flip out LCD screens, “art filters”, “scene modes”, and when Panasonic introduced HD video capabilities – these are now all pretty much standard on Canon and Nikon dSLRs.

Technologies which Canon and Nikon are yet to adopt include mirrorless cameras, EVF’s in dSLRs, built-in image stabilisation, ultra-fast contrast detect AF, etc.

This catch-up in technology has worked well for Canon and Nikon, but until now, they have really not had to compete with electronic giants such as Panasonic, Sony and Samsung, and now that cameras have become primarily electronic consumer items, Canon and Nikon may see a tough decade or two ahead.

Nevertheless they will be hoping their upgrade pathway and compatibilities will be enough to sway mirrorless users to their systems. For instance, they would focus on ability to use same flash system, and potentially the same lenses (albeit big and bulky on a mirrorless camera) throughout their range of pro dSLR, sports pro dSLR, mid-level dSLR, entry-level dSLR and smaller cropped mirrorless camera.

Their decision not to create a APS-C sized mirrorless is, to me smart – it differentiates their mirrorless from their dSLR better and maximises the compact size afforded by smaller cropped sensor lenses.

This is where Sony and Samsung have, in my opinion, chosen poorly with their APS-C sized sensors – there is little advantage to a mirrorless if you still need large heavy lenses – unless perhap if you put a full frame sensor in it and create a true Leica-like experience.

A further risk with both Canon and Nikon is that their pro dSLR market which they currently dominate in 35mm full frame size will also be increasingly cannibalised by larger format dSLRs such as Leica S2, Mamiya, Pentax, Hasselblad and Phase One, perhaps leaving them with just the pro sports market intact.

If you want to see why mirrorless cameras are taking over entry-level dSLRs- see here for a comparison between a Panasonic G3 and a similarly priced Nikon D3100 dSLR – the Nikon wins on 3 parameters only (phase AF for fast moving subjects, remote TTL flash and presumably noise at high ISO), the G3 wins on every other parameter but in particular, image quality with non-pro lenses at similar price really shows the benefits of the Micro Four Thirds system.

 

A rose on the first day of Spring – Panasonic GH-1 + Olympus ZD 50mm macro lens + Canon ring flash

Written by Gary on September 3rd, 2011

On the first day of spring here in Melbourne, Australia, one of my David Austin roses was just starting to bloom, so what a good excuse to get my gear out.

As you can see, I am not really a fan boy – I use whatever equipment I have that will do the job, in this case, a Panasonic GH-1 Micro Four Thirds camera with Olympus ZD 50mm f/2.0 macro lens and a Canon Ring Flash in manual exposure mode at ISO 100, f/14, flash output at its lowest (1/64th).

Although the rose was a gorgeous apricot color with pink tinges, I decided I would prefer to concentrate on the delicious tonings, curves and edges, and only conversion to black and white would achieve this.

Minimal post-processing otherwise.

rose

 

Sony may have trumped the feature set for mirrorless cameras but Panasonic leverages pocketability with its new ultra compact, premium 3x zoom lenses

Written by Gary on August 26th, 2011

Sony has just announced a range of mirrorless camera products which have fantastic features but ONE MAJOR problem – the lenses are way too big for the tiny NEX cameras making handling an issue as well as pocketability.

Panasonic has just announced 2 new Micro Four Thirds lenses which bring compact size to zoom lenses – up until now, if you wanted a really compact lens for a mirrorless camera it had to be a single focallength pancake lens such as the 14mm f/2.5, 17mm f/2.8 or 20mm f/1.7.

Now Panasonic has added a new premium class of Micro Four Thirds lenses denoted Lumix X which have nano coatings for reached flare, and a high level of edge-to-edge optic quality.

In addition, they have Panasonic’s HD badge which indicates AF is near silent and the aperture is stepless for HD video.

The first two Lumix X lenses are very interesting indeed – the first is half as long as its predecessor,while the 2nd is half the weight and shorter than its predecessor, or the Sony’s new lens.

The Panasonic LUMIX G X VARIO PZ 14-42mm/F3.5-5.6 ASPH./ POWER O.I.S. (H-PS14042) lens:

  • 28-84mm field of view in 35mm terms – very standard for most kit lenses, as is the aperture f/3.5-5.6
  • new power optical image stabilisation for improved stabilisation of large slow movements in addition to fast small movements.
  • new retractable design to make it ultra-compact and only 26.8mm long when turned off, but almost doubles when turned on (this compares to 64mm long for the older Lumix 14-42mm lens, and is also shorter than the collapsible Olympus equivalent)
  • interestingly it now has a multi-speed power zoom lever as there is no physical room for a zoom ring – and this has been designed to provide quiet, smooth zooming during HD video – so it now begs the question – will we see future camera bodies with a power zoom lever near the shutter as with camcorders?
  • Manual focusing via a manual focus lever.
  • fast AF with the latest generation cameras
  • close focus to 0.2m.
  • 4 aspherical elements and 2 ED elements for high image quality
  • 7 rounded diaphragm blades
  • internal focus
  • 37mm filter thread – doesnot rotate on focus
  • 95g
  • RRP $Us399 or you will be able to get it bundled with a GF-3 camera
  • on a GF3 or an Olympus E-PL3, this lens at last enables a 3x zoom lens on a large sensor to be easily pocketable in a jacket or carried in a purse.

Panasonic LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. (H-PS45175):

  • 90-350mm field of view in 35mm terms with aperture f/4.0-5.6
  • power optical image stabilisation – even more effective than previous Mega OIS technology as it adds 2x more effective stabilisation of large, slow movements.
  • power zoom lever as for the 14-42mm lens, but also has a zoom ring
  • a Multi-Actuator Floating Inner Focus System to control three lens groups separately helps reduce size and almost halves the weight whilst apparently maintaining image quality!
  • weight 209g or 7.4oz
  • only 90mm long! Not bad for a lens giving 300mm reach.
  • the older 45-200mm lens is 100mm long and weighed 380g
  • the new Sony equivalent, the 55-210mm has a reach of only 315mm and at aperture f/6.3, and is 108mm long and weighs 345g (12.2oz) which is almost TWICE as heavy!
  • shutter lag 20% of the older 45-200mm OIS lens.
  • RRP $US449

If compact size is important, these two lenses will give you the lightest, most compact kit while still having great image quality and fast quiet AF, at least fot stationary subjects.